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Seminararbeit, 2009, 13 Seiten
Autor: Ismail Durgut
Fach: Englisch - Literatur, Werke
Details
Tags: Cement Garden, Ian McEwan, Family Roles, Julie, Zementgarten
Jahr: 2009
Seiten: 13
Note: 2.0
Sprache: Englisch
ISBN (E-Book): 978-3-640-40321-9
ISBN (Buch): 978-3-640-40273-1
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Zusammenfassung / Abstract
In [Ian McEwan’s] The Cement Garden a prominent interpretative signpost is bestowed by the literary allusion to the story tradition in which children are put into a situation in which they must fend for themselves. The key reference here is to William Golding’s Lord of the Flies, a pessimistic tale of savage that emerges within the child when free of social controls. However, the children in McEwan’s novel are not entirely cut from society. They try to keep their sense of family together by entombing their dead mother in concrete in the cellar of their isolated house. Moreover, all of them are influenced by adult codes of familial behavior. These codes become distorted in their independent existence, a process that culminates in the incestuous involvement of the eldest siblings. While Sue, the younger sister of the first-person narrator Jack, does not change visibly, Jack himself runs through a metamorphosis in terms of hygiene and outward appearance as such. Tom, the youngest, starts dressing up as a girl and later on behaves like a toddler and Julie, the eldest, takes over the responsibility for the others and turns from sister to mother. At the end of the story, she even becomes Jack’s lover. The following paper will discuss the different family roles of Julie. First, there will be a chapter on how Jack views his elder sister. This shall function as an overview of Julie’s character. The main part of this paper will present Julie’s changing family roles from sister to mother and finally to lover. The oedipal theme linked to that, will not be made a subject of discussion in this paper. A conclusion will follow the summary in the final chapter.
Textauszug (computergeneriert)
Universität Duisburg-Essen
Campus Essen
Wintersemester 2008/2009
Hauptseminar: Fiction and Film
Dozentin:
Sister, Mother And Lover:
The family roles of Julie in Ian McEwan′s The
Cement Garden
Ismail Durgut
Table of Content:
1. INTRODUCTION 3
2. JACK′S DESCRIPTION OF JULIE 3
3. THE FAMILY ROLES OF JULIE 5
3.1 JULIE AS THE SISTER 5
3.2 JULIE AS THE MOTHER 5
3.3 JULIE AS THE LOVER 7
4. SUMMARY 10
5. SOURCES 12
2
1. Introduction
In [Ian McEwan′s]
The Cement Garden
a prominent interpretative signpost is bestowed by the
literary allusion to the story tradition in which children are put into a situation in which they
must fend for themselves. The key reference here is to William Golding′s
Lord of the Flies
, a
pessimistic tale of savage that emerges within the child when free of social controls.1
However, the children in McEwan′s novel are not entirely cut from society. They try to keep
their sense of family together by entombing their dead mother in concrete in the cellar of their
isolated house. Moreover, all of them are influenced by adult codes of familial behavior.
These codes become distorted in their independent existence, a process that culminates in the
incestuous involvement of the eldest siblings.2
While Sue, the younger sister of the first-person narrator Jack, does not change visibly,
Jack himself runs through a metamorphosis in terms of hygiene and outward appearance as
such. Tom, the youngest, starts dressing up as a girl and later on behaves like a toddler and
Julie, the eldest, takes over the responsibility for the others and turns from sister to mother. At
the end of the story, she even becomes Jack′s lover.
The following paper will discuss the different family roles of Julie. First, there will be
a chapter on how Jack views his elder sister. This shall function as an overview of Julie′s
character. The main part of this paper will present Julie′s changing family roles from sister to
mother and finally to lover. The oedipal theme linked to that, will not be made a subject of
discussion in this paper. A conclusion will follow the summary in the final chapter.
2. Jack′s description of Julie
In chapter two of the novel, the first-person narrator and one year younger brother Jack
describes Julie two times. The first is a general description of her talent for sports, her habits
and her outward appearance:
During the following year Julie trained for the school athletics team. She already held the local
under-eighteen records for the 100- and 220-yard sprint. She could run faster than anyone I
knew... He [father] missed the pale-brown, slim legs flickering across the green like blades, or
me, Tom, Mother and Sue running across the enclosure to cover Julie with kisses when she
took her third race. In the evenings she often stayed at home to wash her hair and iron the
pleats in her navy-blue school skirt. She was one of a handful of daring girls at school who
wore starched white petticoats beneath their skirts to fill them out and make them swirl when
they turned on their heel. She wore stockings and black knickers, strictly forbidden. She had a
clean white blouse five days a week. Some mornings she gathered her hair at the nape of her
neck with a brilliant white ribbon. All this took considerable preparation each evening... She
had boyfriends at school, but she never really let them get near her... Her closest friends were
1 Dominic Head,
Ian McEwan
, p. 47.
2 Cp.
ibid.
3
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