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Termpaper, 2005, 15 Pages
Author: Katrin Appenzeller
Subject: American Studies - Culture and Applied Geography
Details
Institution/College: University of Duisburg-Essen
Tags: Jon F. Kenneddy, JFK, Oliver Stone, Stone, Biopic, Biographical Picture, Film, Movie
Year: 2005
Pages: 15
Grade: 2,0
Language: English
ISBN (E-book): 978-3-640-31154-5
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Abstract
JFK is one of the most interesting Hollywood films which never loses its actuality because the case Kennedy is still unsolved up to now. In search of a qualified biographical film and topic, time and again discrepancies emerge with regard to the film JFK to be a biographical picture or not. Some sources list the film to be a biopic others do not. Because of that the interesting and still unanswered question, if the film can be defined as a Hollywood biopic, became the main consideration of this paper. First of all the terms JFK and the Hollywood biopic are explained separately. The different facts and characteristics are investigated on several levels which are direction, content and intention. Furthermore a definition of the term genre and a summery of the film JFK are supplemented in order to understand the different levels of investigation better. The emphasis is on a comparison of the characteristics of the two objects and as a result follows a conclusion.
Excerpt (computer-generated)
List of contents
List of contents 1
1. Introduction 2
2. The Hollywood Biopic 2
2.1. Genre 2
2.2. Characteristics of a biopic 3
3. JFK by Oliver Stone 4
3.1. Summary 4
3.2. General facts 5
3.3. Characteristics of JFK 5
3.3.1. Directorial characteristics 5
3.3.2. The intention 6
4. Analysis 7
4.1. First impression 7
4.2. Comparison: the film JFK and the biopic 8
4.2.1. Same characteristics 8
4.2.2. Differences 9
4.3. Conclusion 10
5. Synopsis and outlook 11
6. Bibliography 13
7. Appendix 14
2
1. Introduction
This term paper preoccupies the question if the film JFK by Oliver Stone is a Hollywood
biopic.
JFK is one of the most interesting Hollywood films which never loses its actuality because
the case Kennedy is still unsolved up to now. In search of a qualified biographical film and
topic, time and again discrepancies emerge with regard to the film JFK to be a biographical
picture or not. Some sources list the film to be a biopic others do not. Because of that the
interesting and still unanswered question, if the film can be defined as a Hollywood biopic,
became the main consideration of this paper.
First of all the terms
JFK
and
the Hollywood biopic
are explained separately. The different
facts and characteristics are investigated on several levels which are direction, content and
intention. Furthermore a definition of the term genre and a summery of the film JFK are
supplemented in order to understand the different levels of investigation better. The emphasis
is on a comparison of the characteristics of the two objects and as a result follows a
conclusion.
2. The Hollywood Biopic
2.1. Genre
At first it is important to know what the term
genre
means. In the cinematic sector genre
stands for a group of films which have the same characteristics and can be categorized
through their filmic elements. These characteristics can be on geographical, chronological,
dramatical or on production technical level. It does not matter which elements they have in
common, but it is important that they resemble in at least one or more characteristics. A genre
is "a term for any group of motion picture which express similar stylistic, thematic, and
structural interests"1.
1 Frank Eugene Beaver,
Dictionary of Film Terms
, (1983), p. 142
3
There are numerous narrative film genres: the
western film
[...], the
gangster film
,
the
musical film
, [...] `Genre′ is also used to distinguish other film classes such as
the
documentary
, the
experimental film
, and the
animated film
.2
Today there are more than 775 genres and it is very hard to differentiate them because many
directors combine several categories to achieve a lager number of viewers. The more genres
are put in one place the greater audience is addressed. That is why it is difficult to call the
biographical film an independent genre because it often crosses over between different genres.
The person, the film gives us a closer look at, is not fixed to one specific category. It can be a
political leader, a famous sport star, a criminal or a musician. Therefore a film can be a biopic
but it can also be a action or gangster film. There are a plenty of these film genres, some
belong to the classical main genres e.g. comedy, gangster film, horror film, drama, musical
film, western, but there are also so called
sub-genres
. Sub-genres are "sub-classes of the
larger film genre, with their own distinctive subject matter, style, formulas, and
iconography".3 In a motion picture it is very rarely that a biopic appears as a sole, independent
genre. Hence it follows that the biographical picture can be define as sub-genres of larger, e.g.
epic or drama films.
2.2. Characteristics of a biopic
A biopic is a filmed biography. The term derived from the words
biography
and
pictures
and it is often used as a colloquial term. The combination of both words lead to the term
biographical picture. A biopic is a film about the life of a particular, real living person (or a
group) of the past or present era with fictionalized elements. A biopic often gives statements
about American society in critical parameters.
A motion picture based on the life of a public figure, most commonly an individual struggling
to achieve goals against considerable odds or to recover from major setback [...]4
Not every biopic deals with the whole biography, in such a way, that the film starts with the
birth and ends with the death of the particular person. There are many biopics which simply
underline the major achievements in their life.
In many cases these films put an emphasis on the largest events (wartime, political or social
conditions) surrounding the person′s entire life as they rise to fame and glory.5
2 Frank Eugene Beaver,
Dictionary of Film Terms
, (1983), p. 142
3 Filmsite: genres,
http://www.filmsite.org/genres.html
, (09/01/2004), p. 1
4 Frank Eugene Beaver,
Dictionary of film Terms
, (1983). P. 34
5 Filmsite: biopics,
http://www.filmsite.org/biopics.html
, (09/01/2004), p. 1
4
From 1930 to 1940 the biographical film was very popular in America, especially in
Hollywood. At this specific period of time many public personalities worked "on behalf of the
public good".6 Consequently Warner Brothers produced many biopics because of their
"inspirational value".7 Every famous person who is represented in a biopic has an
extraordinary personality and achieved much in his life. Therefore it is not surprising that
"common characteristics of the biographical film are heroic elements of determination and
personal courage"8 The biographical film aim to make a person more accessible to the
viewers. That means to show his lifestyle, character, achievements or defeats. The film does
not present one single sphere of life, e.g. the persons career, but it shows several different
spheres, e.g. private life, partnership or interests. These extensive impressions help the viewer
to get a better insight into the personals life and
character.
3. JFK by Oliver Stone
3.1. Summary
The film JFK by Oliver Stone deals with the description of the assassination of president
Kennedy, from the Warren- Reports point of view, and arguments which speak against it.
John F. Kennedy, the 35th president of the United States of America, is shot dead in Dallas in
the state of Texas on November 22nd in 1963. The Warren- Commission investigates the
murder and comes prompt to the conclusion that Kennedy was assassinated by Lee Harvey
Oswald (Gary Oldman), an individual culprit, and file away the case. Three years later the
district attorney
of New Orleans, Jim Garrison (Kevin Costner), stumbles accidentally on this affair and
notices many discrepancies and contradictions within the Warren- Report. Because of that
Garrison decides to find out the truth and reopens the case although he meets with stiff
opposition. In the course of his investigation he notices that the Warren- Commission worked
very sloppy and superficial. Furthermore he notices weighty mistakes in the presentation of
the evidences. On the one hand his conversation with his informant Mr. X (Donald
Sutherland) and when on the other hand a video recording of the deed appears it becomes
clear that there is something strange going on. Garrison is in doubts about the theory of a
6 Frank Eugene Beaver,
Dictionary of film terms
, (1983), p. 34
7 Frank Eugene Beaver,
Dictionary of film terms
, (1983), p. 34
8Frank Eugene Beaver,
Dictionary of film terms
, (1983), p. 34
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