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Language as a site of resistance

Essay, 2002, 11 Seiten
Autor: Alf-Christian Obermaier
Fach: Amerikanistik - Linguistik

Details

Veranstaltung: Caribbean-Canadian Literature
Institution/Hochschule: Johannes Gutenberg-Universität Mainz (English Seminar)
Tags: Language, Caribbean-Canadian, Literature
Kategorie: Essay
Jahr: 2002
Seiten: 11
Note: 1,7 (A-)
Literaturverzeichnis: ~ 7  Einträge
Sprache: Englisch
Archivnummer: V17931
ISBN (E-Book): 978-3-638-22370-6

Dateigröße: 111 KB


Textauszug (computergeneriert)

Johannes Gutenberg-University, Mainz

Language as a Site of Resistance

by

Alf-Christian Obermaier

 

 

In her essay “African Roots and Continuities: Race, Space and the Poetics of Moving” Marlene Nourbese Philip portrays the Canadian Caribana festival, first held in 1967 and framed by the Canadian Centennial celebrations, and its prototype, Trinidadian Carnival. She mainly names two characters; Maisie and Totoben. Both occur throughout the essay engaged in one thing: the celebration of Carnival, or later then, Caribana in Toronto. Philip writes in a “Caribbean demotic of English”, according to her own words. 1 As she discusses the phenomena of Carnival, this demotic is more suitable to give an accurate image of its origins. Especially the energy and the dynamic embedded in Caribana, and earlier Carnival is transported more lively. “Kinetic qualities” go with the language she calls a Caribbean demotic. These display the fascination and attraction of the festival, and this first statement might give a reason for her choice.

She has composed an essay, which also satisfies historical needs. As she transports the knowledge of a single event’s origin and its transformation throughout time, the question arises, why Philip did not choose Standard English to make her argument. This might be expected rather from a political and historical paper, than from one displaying only cultural aspects. Marlene Nourbese Philip´s essay can be considered to be a historical essay, since she connects several stations in ,space and time, in other words, in geography and history. The connection is implied by her synonymous naming of the main characters, Maisie and Totoben, who connect the slave-ships to the Carnival parade in Toronto. 2

According to Philip the reason for her choice derives from the belief “that some experience demand a faithfulness to the language in which the experience happens has stimulated this impulse” 3, but there are more reasons to be found by expanding the question: In what sense is her choice of language a sign of resistance, and how far is language itself a site of resistance? Her topic is an event, which was born in a state of rage, as one site of resistance. The event might have had it’s beginning in eighteenth century Trinidad as an answer to colonial rule. Philip suggests to start in history with the arrival of the French in Trinidad 1784. Followed by years of change, the carnevalesque masquerade derived from an political event and was originated in 1789 by Toussaint and Dessalines putting on the costumes of the Jacobins and with their Napoleon hats and coat-tails they turning themselves into Black Jacobins and parading through history and ending Napoleon and his empire earlier than he expecting. 4

[...]


1Philip, Marlene Nourbese: “African Roots and Continuities: Race, Space and the Poetics of Moving”. A Genealogy of Resistance and Other Essays. Ed. Marlene Nourbese Philip. Toronto: The Mercury Press, 1997. 202.

2 cf. 207.

3 cf. 202.

4 cf. 209.


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