An Analysis of the Interaction between the Editing/Montage and Spectator


Essay, 2013

4 Pages, Grade: B+


Abstract or Introduction

This essay analyses early theories in regards to editing and montage as a film form and its relationship to the meaning that it creates in spectator’s mind. The main statement to prove in this essay is that controlling editing methods ignores the spectator’s imagination and conflictive editing is the right method to interact with spectator’s mind creatively. The essay considers Hugo Munsterberg, Sergei Eisenstein and Vsevolod Pudovkin’s essays by clarifying the major points and debating the similarities and dissimilarities between the three arguments.

Details

Title
An Analysis of the Interaction between the Editing/Montage and Spectator
College
Edinburgh Napier University
Grade
B+
Author
Year
2013
Pages
4
Catalog Number
V271504
ISBN (eBook)
9783656637226
ISBN (Book)
9783656637240
File size
401 KB
Language
English
Keywords
analysis, interaction, editing/montage, spectator
Quote paper
Mahrokh Daneshnia (Author), 2013, An Analysis of the Interaction between the Editing/Montage and Spectator, Munich, GRIN Verlag, https://www.grin.com/document/271504

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