Table of contents:

1.  Introduction page  2

2.  Historical background  

2.1  The Victorian ideal page  3

2.2  The New Woman page  4

3.  Mina Harker - A Victorian lady? page  6

4.  Mina Harker - A New Woman? page  10

5.  Conclusion page  13

6.  Bibliography page  15

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1. Introduction

This paper deals with the question whether Mina Harker can be described as an emancipated woman. Bram Stoker presents two different kinds of women in his novel Dracula: the passive and innocent female and the sexual aggressive woman. The pure and chaste kind of woman is presented by Mina Harker and the sexual aggressive women are represented by Lucy Westenra and the three vampire women.

These different types of women find their counterparts in the Victorian society of the nineteenth century. On one side one can find the typical Victorian woman. Those women stood for traditions and long lasting ideals. At this type of woman will be looked at in the first part of the paper. It gives a short summary of the historical background to this subject. This part is followed by a characterisation of the New Woman, a phenomenon that turned up at the end of the nineteenth century. Those women wanted to renew to status of women in the Victorian society. They fought for better educational opportunities for women of that time.

The main part deals with the question if Mina Harker has picked up certain traits from the Victorian ladies. It also deals with the question whether she has also taken up traits of the New Woman. Her behaviour throughout the novel will be looked at. Certain typical forms of behaviour of the two kinds of women will be picked out and analysed. The difficulty is that Mina Harker seems to have a dual character since she seems to have adopted from both types of women. This thesis will be tested throughout the main part of the paper.

The conclusion gives a summary of the results and it answers to the question which type of woman Mina Harker belongs to.

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2. Historical background 2.1. The Victorian ideal

To reveal the types of women presented in Bram Stoker’s Dracula one has to consider the time the novel was written.

Stoker wrote Dracula in 1897, a time that is called the Victorian Age. This name is due to the reign of Queen Victoria; she was famous for her love for her husband and her children. This is why the Victorian Era (1837-1901) can be described as a domestic age since it was centred on the family and on motherhood. Marriage was traditionally regarded as a woman’s ultimate goal and highest reward. Finding a husband was clearly a priority to the women of that time. More than that: “family affection and the desire for motherhood were considered innate”. Once married, a woman had to become a “professional good wife and mother” ¹ and “being a woman was a “career” in itself.” 2

Women were supposed to stay at home and their main duty was to take care for their household and their children.

The role of the mother was idealised and the figure of the busy and diligent mother represented the domestic ideal. Life of women in that era circled around the domestic sphere of their homes and their families, since the best place for women was in the home. Victorian women could hardly ever act outside their domestic spheres. Women in the Victorian Age were not part of the public life. They were supposed to be busy in their household and they had to secure constant care for their husbands. The home was regarded as a cosy space, as a haven from the busy and chaotic outside world. A woman, living in the Victorian Age, had to “make her household a comfortable, tranquil refuge for her husband”. ³ They had to show constant devotion for their husbands. “Once married, the perfect lady did not work”. ⁴ Therefore her life “was totally dependent upon the economic position of her father and then her husband”. 5

¹ Judith Rowbotham, Good Girls Make Good Wives, page 12.

² Rowbotham, page 12.

³ Rowbotham, page 15.

⁴ Martha Vicinus, Suffer and Be Still, page iX.

⁵ Vicinus, page iX.

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To sum up one could say that the typical woman of the 19 ^th century was the “angel of the house” who had to educate the children and who had to provide emotional support for her husband. The ideal of the Victorian lady was fully developed in the upper middle class.

2.2 The New Woman

At the end of the 19 ^th century women started to „translate their yearnings into active campaigning“ ⁶ . Young women started to behave unconventional and as a result from that they earned a lot of criticism. The phenomenon of the novel kind of women was called the “New Woman”. The New Woman “smoked, entered boldly into conversation with men and was seen around town riding a bicycle”. ⁷ They can be described as “the Victorian equivalent of today’s feminists”. ⁸ The New Woman movement tried to answer the question how women could handle and fight against the inequality of the sexes. Their major goal was to achieve equal rights for men and women and additionally they wanted to fight against the suppression of women. The traditional roles within the Victorian society and family were criticized by the New Woman. “They took issue with a range of social restrictions imposed by male dominance and prejudice”. ⁹ Women demanded more control and more choice in questions of marriage, sexuality and education.

The ideas about family and marriage were changing at that time. Marriage had been the ultimate goal for women for a long time. The New Woman looked critically at the traditional idea of marriage. Marriage was no longer considered to be the perfect form of life. Its tradition “came in for a tremendous battery of criticism” ¹⁰ . Family was no longer seen as the best form of living but the “family was exposed as a nest of seething frustrations, discontent and deception”. ¹¹ The one duty that had been

⁶ Jenni Calder, Woman and Marriage in Victorian Fiction, page 159.

⁷ Suzanne Fagence Cooper, The Victorian Woman, page 66.

⁸ Clive Leatherdale, Dracula: The Novel and the Legend, page 148.

⁹ Leatherdale, page 148.

¹⁰ Cunningham, page 2.

¹¹ Cunningham, page 3.

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