Sampling and Appropriation as Formal and Ideological Strategies. Roberto Voorbij's Short-Film "One Minute Silence"

Name: Sampling and Appropriation as Formal and Ideological Strategies. Roberto Voorbij's Short-Film "One Minute Silence"
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Author: Rüdiger Thomsen
ISBN: 9783346561855

Term Paper (Advanced seminar), 2016

10 Pages, Grade: 1,0

Rüdiger Thomsen (Author)

Abstract or Introduction

This is the second paper in a series of studies on Remix Culture, which applies the theoretical background of understanding remix and mashup to Roberto Voorbij's short film One Minute Silence in terms of its formal and ideological strategies.

The main focus of this paper will be on the ideological and political dimension of critical remix practices. It will focus on appropriation as the ideological strategy of certain remix practices. A working definition of appropriation will be derived from one of the most influential publications on the topic by Julie Sanders. This understanding of appropriation will then be contextualized in the field of remix studies.

Details

Title: Sampling and Appropriation as Formal and Ideological Strategies. Roberto Voorbij's Short-Film "One Minute Silence"
College: University of Hamburg (Anglistik/Amerikanistik)
Course: Remix Cultures (MA Seminar)
Grade: 1,0
Author: Rüdiger Thomsen (Author)
Year: 2016
Pages: 10
Catalog Number: V1158116
ISBN (eBook): 9783346561855
Language: English
Keywords: Remix, Mashup, Sampling, Cultural Studies, Media Studies, Appropriation

Quote paper: Rüdiger Thomsen (Author), 2016, Sampling and Appropriation as Formal and Ideological Strategies. Roberto Voorbij's Short-Film "One Minute Silence", Munich, GRIN Verlag, https://www.grin.com/document/1158116

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