Abstract or Introduction
This paper analyzes the Kelmscott Press under William Morris, which formed a form of aesthetic resistance against the commercial print culture in Victorian Britain. The paper discusses if this aesthetic resistance can be understood as an extension of Morris's socialist activism and as a transformation of conventional propaganda.
- Quote paper
- Anonymous, 2021, William Morris and the Kelmscott Press. Aesthetic Resistance in Nineteenth-century Britain as a Redefinition of Socialist Propaganda?, Munich, GRIN Verlag, https://www.grin.com/document/1254830
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