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Gender Expectations and Power Constellations in Robert Browning's "My Last Duchess"

Título: Gender Expectations and Power Constellations in Robert Browning's "My Last Duchess"

Ensayo , 2006 , 10 Páginas , Calificación: 1,0

Autor:in: Dipl.-Bibl. Regina Männle (Autor)

Filología inglesa - Lingüística
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Resumen Extracto de texto Detalles

The situation does not seem to be particularly exciting at all: A wealthy and civilised Renaissance duke chatting harmlessly with the envoy of a count whose daughter he is planning to marry. Before the two men start to discuss the financial details of the marriage, the duke tries to show his best side and presents himself as an art-loving and generous nobleman. But the story takes a chilling turn: While the host and his guest look at the portrait of the last duchess, the duke makes some remarks that suggest he may have murdered his wife.
On the surface, "My Last Duchess" seems to be a startling and entertaining mystery story, but considering the society and the environment that shaped the author, one cannot shake off the feeling that this poem is more than a story about a long-deceased Renaissance nobleman and his recalcitrant and disobedient wife. The poem touches some issues that were prevailing in the Victorian era and were of high interest to Browning's contemporaries: morality, gender expectations and power relations.

Extracto


Table of Contents

1. Introduction to the poem's atmosphere and the dramatic monologue form

2. Analysis of the Duke's character traits, egotism, and possessiveness

3. Examination of the power dynamics and the manipulation of the guest

4. Discussion of the Duke's anxiety and the ambiguous nature of his commands

5. Reflection on the poem's structure and the shift in topic

6. Interpretation of the Duke as a symbol for Victorian societal norms

7. Analysis of the Duchess's character and her resistance to traditional gender roles

8. Conclusion on the Duke’s self-unmasking and the poem's critical warning

Research Objectives and Key Themes

The primary research objective of this paper is to analyze how Robert Browning’s "My Last Duchess" reflects Victorian gender expectations and power constellations through the lens of a dramatic monologue, ultimately critiquing the patriarchal structures and hypocrisy of the era.

  • The function and effect of the dramatic monologue form.
  • The intersection of power, control, and domestic ideology.
  • Victorian gender roles and the perceived "Woman Question."
  • Symbolism in the poem’s artistic references.
  • The Duke as a reflection of societal moral hypocrisy.

Excerpt from the Book

Gender Expectations and Power Constellations in Robert Browning’s “My Last Duchess”

The situation does not seem to be particularly exciting at all: A wealthy and civilised Renaissance duke chatting harmlessly with the envoy of a count whose daughter he is planning to marry. Before the two men start to discuss the financial details of the marriage, the duke tries to show his best side and presents himself as an art-loving and generous nobleman. But the story takes a chilling turn: While the host and his guest look at the portrait of the last duchess, the duke makes some remarks that suggest he may have murdered his wife.

On the surface, “My Last Duchess” seems to be a startling and entertaining mystery story, but considering the society and the environment that shaped the author, one cannot shake off the feeling that this poem is more than a story about a long-deceased Renaissance nobleman and his recalcitrant and disobedient wife. The poem touches some issues that were prevailing in the Victorian era and were of high interest to Browning’s contemporaries: morality, gender expectations and power relations.

Summary of Chapters

1. Introduction to the poem's atmosphere and the dramatic monologue form: The chapter establishes the setting of the poem and discusses how the form of the dramatic monologue creates a controlled, orderly environment for the speaker.

2. Analysis of the Duke's character traits, egotism, and possessiveness: This section explores the Duke’s self-perception as a nobleman and his underlying possessiveness regarding his wife and his art collection.

3. Examination of the power dynamics and the manipulation of the guest: The chapter focuses on how the Duke asserts authority over the envoy through subtle linguistic cues and physical commands.

4. Discussion of the Duke's anxiety and the ambiguous nature of his commands: This part analyzes the moments where the Duke loses composure and reveals his volatile nature when discussing his late wife.

5. Reflection on the poem's structure and the shift in topic: The text explains how the physical movement of the characters and repetitive framing devices mirror the shifting focus from the past to the future marriage.

6. Interpretation of the Duke as a symbol for Victorian societal norms: This chapter suggests that the Duke represents the broader Victorian "domestic ideology" and the suppression of women.

7. Analysis of the Duchess's character and her resistance to traditional gender roles: The analysis highlights the Duchess's strength and her refusal to fit into the Duke's restrictive definition of an ideal wife.

8. Conclusion on the Duke’s self-unmasking and the poem's critical warning: The final section concludes that the poem serves as a warning against the dangers of unnatural suppression and rigid patriarchal control.

Keywords

Robert Browning, My Last Duchess, Victorian Era, Dramatic Monologue, Gender Expectations, Power Constellations, Domestic Ideology, Patriarchy, Literary Analysis, Renaissance, Control, Symbolism, Moral Hypocrisy, Femininity.

Frequently Asked Questions

What is the core subject of this paper?

The paper examines Robert Browning's poem "My Last Duchess" to uncover how it addresses power dynamics and gender expectations within the context of the Victorian era.

What are the central thematic fields addressed?

The central themes include the manipulation of power, the constraints placed on women, the hypocrisy of Victorian morality, and the nature of the dramatic monologue.

What is the primary research goal?

The goal is to demonstrate that the Duke is not merely a Renaissance character but a symbol for the systemic suppression of women in the Victorian society of the author’s time.

Which methodology is employed in this research?

The paper utilizes a close reading and literary analysis of the poem’s text, focusing on formal elements like structure, imagery, and rhetorical devices.

What does the main body of the paper cover?

It covers the Duke's manipulation of his guest, his critique of his late wife’s behavior, the structural framing of the poem, and the historical connections to Browning’s own life.

Which keywords best characterize this research?

Key terms include gender expectations, power constellations, domestic ideology, control, and Victorian morality.

How does the author interpret the Duke's comment "I gave commands"?

The author interprets this as a highly ambiguous moment that emphasizes the Duke's absolute power and his propensity for violent suppression, regardless of the specific fate of the Duchess.

Why is the role of the envoy significant in the poem?

The envoy serves as the silent witness and the target of the Duke's manipulation, highlighting the Duke's need for an audience to validate his dominance.

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Detalles

Título
Gender Expectations and Power Constellations in Robert Browning's "My Last Duchess"
Universidad
University of Freiburg  (Englisches Seminar)
Curso
Proseminar
Calificación
1,0
Autor
Dipl.-Bibl. Regina Männle (Autor)
Año de publicación
2006
Páginas
10
No. de catálogo
V129000
ISBN (Ebook)
9783640347261
ISBN (Libro)
9783640347421
Idioma
Inglés
Etiqueta
Gender Expectations Power Constellations Robert Browning Last Duchess
Seguridad del producto
GRIN Publishing Ltd.
Citar trabajo
Dipl.-Bibl. Regina Männle (Autor), 2006, Gender Expectations and Power Constellations in Robert Browning's "My Last Duchess", Múnich, GRIN Verlag, https://www.grin.com/document/129000
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