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Postcolonial London

The Metropolis in Zadie Smith’s 'White Teeth'

Titel: Postcolonial London

Hausarbeit (Hauptseminar) , 2006 , 22 Seiten , Note: 1

Autor:in: Michael Koehler (Autor:in)

Anglistik - Literatur
Leseprobe & Details   Blick ins Buch
Zusammenfassung Leseprobe Details

Zadie Smith’s novel "White Teeth" deals with families and generations from diverse ethnic backgrounds; and in the four main chapters Archie 1974, 1945, Samad 1984, 1857, Irie 1990, 1907, and Magid, Millat and Marcus 1992, 1999, she approaches them from several angles. As a result, there has been a discussion on who is to be treated as the central character in this novel. One possible answer to this is offered by Nina Shen Rastogi:
The main character in White Teeth isn’t a character in any traditional sense – it’s the city of London itself. Smith’s goal is less to paint a portrait of any particular character than it is to create a large-scale character sketch of a particular place and a particular time. White Teeth is about the foibles of a community of near-strangers and almost-friends as it collectively stumbles towards an uncertain future.
The paper will investigate this approach by dealing with London as it is depicted in this postcolonial novel.
After a working definition on the diversely discussed notion of postcolonialism (I.1), there will be a closer look on London, both as a physical location (I.2.a) and a literary region (I.2.b). The main issues will be the history of immigration, facts about multiculturalism today, and a brief look on how the colonial legacy has been depicted in postcolonial literature in London. A conclusion (I.3) will summarize the results and present some main questions for the analysis of White Teeth (II).
Here, the paper will take a look on the role of the characters interacting with each other and on how they compromise between their cultural legacy and London’s society (II.1). This will be the major part of the analysis. In two short chapters, this view will be extended by the use of location (II.2) and language (II.3).
The conclusion finally tries to sum up the main aspects gathered in this line of argument.

Leseprobe


Table of Contents

Introduction

I. Postcolonial London

1. Postcolonialism

2. London

a) London as a Physical Location

b) London as an Imagined Place

3. Conclusion

II. London in Zadie Smith’s White Teeth

1. Characters

a) Caribbean

b) Bangladeshi

c) White British

d) Conclusion

2. Locations

3. Language

Objectives and Topics

This paper explores the depiction of London as a postcolonial space within Zadie Smith’s novel White Teeth. It examines how characters from diverse ethnic backgrounds navigate their identities and cultural legacies within the metropolis, ultimately arguing that the novel presents a multifaceted, hybrid version of London shaped by its colonial history and contemporary multiculturalism.

  • The theoretical definition of postcolonialism and its application to London as both a physical and imagined location.
  • An analysis of identity formation across the first and second generations of immigrant families.
  • The role of suburban spaces, such as Willesden, as sites of cultural intersection and social friction.
  • The influence of linguistic patterns and imagery in reflecting the persistent weight of history and the search for belonging.
  • An investigation into the nuanced attitudes of white British characters, highlighting themes of exoticism and subtle racial dynamics.

Excerpt from the Book

b) London as an Imagined Place

The views people have of the city are represented in literature. With authors migrating from former colonies to London the perspective on London changes and thus the representation of London in their novels:

[i]n such ways might culture, and especially literature, offer transformative resources to those of us who demand an end to the divisiveness and prejudices which often found their origins in the attitudes of the Empire.

As the main focus of this paper is Zadie Smith’s White Teeth, it is not possible to discuss other authors or novels here. However, a short overview of some general aspects dealing with London in postcolonial literature seems to be helpful. For the Caribbean authors London becomes their new centre of art, the “literary capital”, very similar to the intellectual movements in the early 20th century.

When the first writers come after the end of World War II, their representations of London often include the dreams and visions they have of their new life: “[t]hese writers imagine the potential for new forms of community and identity in the city often nurtured by the popular cultural energy of the decade.” These optimistic visions challenge the factual hostility with which the immigrants in the 1950s and 1960s were often approached by the local population. Within these visions or utopias the themes of displacement, non-belonging, and alienation are quite prominent, and thus also disappointment.

Summary of Chapters

Introduction: Outlines the novel’s focus on intergenerational ethnic narratives and establishes the research goal of analyzing London as a central, postcolonial character.

I. Postcolonial London: Provides a theoretical framework for postcolonialism and examines London as both a physical site of migration and an imagined space within literary representations.

II. London in Zadie Smith’s White Teeth: Conducts a detailed analysis of how characters, locations, and language within the novel reflect the complexities of the postcolonial city.

Keywords

Postcolonialism, London, Zadie Smith, White Teeth, Identity, Migration, Multiculturalism, Hybridity, British Empire, Literature, Caribbean, Bangladeshi, Second generation, Exoticism, Urban space.

Frequently Asked Questions

What is the central focus of this paper?

The paper examines how Zadie Smith’s novel White Teeth depicts London as a postcolonial metropolis, focusing on the interplay between colonial history and the contemporary immigrant experience.

What are the key thematic areas covered?

The work covers identity formation, the impact of migration on London’s physical and social geography, the influence of colonial legacies, and the construction of identity among different generations.

What is the primary research goal?

The primary goal is to determine how the characters in the novel navigate their cultural legacies and personal identities while living in a complex, postcolonial London.

Which methodology is employed?

The author uses a literary analysis approach, drawing upon postcolonial theory to examine character dynamics, symbolic locations, and linguistic imagery within the text.

What is discussed in the main analysis section?

The main part of the analysis explores the lived experiences of different ethnic groups (Caribbean, Bangladeshi, and White British) and how they interact with the city and each other.

Which keywords best characterize this work?

The work is characterized by terms such as postcolonialism, identity, hybridity, migration, multiculturalism, and the urban representation of London.

How does the author distinguish between first and second-generation immigrants?

The author notes that while the first generation often struggles with the tension between traditional values and life in London, the second generation is more rooted in the city and fights for their own autonomy.

How does the novel portray the "Chalfen" family?

The Chalfens are portrayed as intellectual, middle-class figures who represent a form of Englishness that views immigrant characters through the lens of exoticism, often displaying a sense of superiority.

What is the significance of the "neutral place" in the novel?

The "neutral place" serves as a symbolic, yet ultimately elusive, space where characters hope to resolve their historical and cultural conflicts, highlighting the difficulty of escaping the past.

Ende der Leseprobe aus 22 Seiten  - nach oben

Details

Titel
Postcolonial London
Untertitel
The Metropolis in Zadie Smith’s 'White Teeth'
Hochschule
Philipps-Universität Marburg  (Institut für Anglistik und Amerikanistik)
Veranstaltung
Postmodern and/or Postcolonial:Contemporary Writing from Britain and the Commonwealth
Note
1
Autor
Michael Koehler (Autor:in)
Erscheinungsjahr
2006
Seiten
22
Katalognummer
V132015
ISBN (eBook)
9783640378418
ISBN (Buch)
9783640378821
Sprache
Englisch
Schlagworte
Postcolonialism Postmodernism Zadie Smith White Teeth London Martin Kuester
Produktsicherheit
GRIN Publishing GmbH
Arbeit zitieren
Michael Koehler (Autor:in), 2006, Postcolonial London, München, GRIN Verlag, https://www.grin.com/document/132015
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