This thesis draws on the notion that identity - our sense of self - and the ways in which we remember ourselves are strongly interrelated to discuss two novels of an author who is well accustomed to writing what he himself has, in a 1989 interview with Gregory Mason, called “the texture of memory”: Kazuo Ishiguro.
In discussing two of Ishiguro’s novels, The Remains of the Day and When We Were Orphans, this thesis will address the ambivalent forces of memory in more detail and examine how personal memory and personal identity are, in the two chosen texts, conceptualised interdependently. In doing so, this thesis furthermore analyses the specific literary functionalisation of the concepts of memory, which the two chosen texts provide us with. However, the theme of memory and identity must not be dealt with as a stand-alone subject in the two chosen texts; it rather has to be examined in the context of other discourses that are related to it. In both novels, identity is built on certain ideals which are, over the course of the two novels, subverted along with the respective identities themselves. Consequently, this thesis will relate its main research interest, the interdependence between memory and identity, to such other discourses which, in the two selected texts, are crucial to acquiring an understanding of the exact nature of the interdependence in question: discourses on individuality, trauma, self-deception, selfdelusion, self-reflection, nostalgia, and idealism.
Having awarded Kazuo Ishiguro with the 2017 Nobel Prize in Literature, the Nobel Committee explained its choice in a press release, stating that Ishiguro, “in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world.” In his novels, Ishiguro explores this illusory sense of connectedness through the eyes of characters that are confronted with the fragile forces of their very own memories. It is these characters, caught between remembrance and oblivion, between trauma and nostalgia for an irretrievable past, through which Ishiguro unmasks the illusory essence not only of our sense of connection with the world, but also of our sense of self. In an opening remark on the British Council’s official profile of Kazuo Ishiguro, James Procter fittingly states that “Ishiguro's novels are preoccupied by memories, their potential to digress and distort, to forget and to silence, and, above all, to haunt.”
Inhaltsverzeichnis (Table of Contents)
- Introduction: Kazuo Ishiguro and the "texture of memory"
- Theoretical Framework: Autobiographical Memory and our Sense of Self...
- "Memory's fragile power" and the Self: Psychological Perspectives on Identity and Memory….....
- Fictions of Memory: Memory and Identity in Literary Discourse.....
- Memory and Identity in The Remains of the Day....
- Setting Up Liminal Spaces - Dual Focalization and the Butler Stevens as a Nostalgic Anachronism in a Time of Change.....
- Defining the (Interdependent) Self: Between 'Great' Idealism, Dignity, and Professional Identity….
- The Ambivalent Forces of Stevens's Memory: Between Self-Deception and Self-Reflection……
- A Macabre Triumph: Self-Deception, ‘Sins of Bias', and the Greater Cause
- “What dignity is there in that?” – Insight, Self-Reflection, and the Deconstruction of Stevens's Self-Narrative…........
- Memory and Identity in When We Were Orphans.......
- Setting Up Liminal Spaces - Dual Focalization and Cultural Hybridity in the Case of Christopher Banks.........
- The Orphan Self and a Mummified Childhood: Trauma, Restorative Nostalgia, and Idealist Detective Identity.
- Tracing Leads: The Fragile Force of Christopher Banks's Memory.....
- Encountering Dead Ends: Christopher's Traumatic Memory and its ‘Sins'.
- A Detective Lead Astray: A Past Irretrievable, Frustration of Memory, and the Subversion of Identity…………..\n
Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)
This thesis examines the intricate relationship between memory and identity in Kazuo Ishiguro’s novels The Remains of the Day and When We Were Orphans. By drawing upon theoretical frameworks from cognitive psychology and literary studies, the paper analyzes how memory shapes and is shaped by the characters' self-perceptions and sense of self.
- The Ambivalent Force of Memory: The thesis explores how memory can both enhance and distort our understanding of the past, leading to self-deception and self-reflection.
- The Interplay of Memory and Identity: The paper investigates how memory serves as a foundation for identity construction, yet also how it can be a source of trauma and regret.
- Nostalgia and Idealism: The thesis examines the role of nostalgia and idealized pasts in the formation of characters' identities.
- Subversion of Identity: The paper analyzes how the characters’ nostalgic ideals and pasts are challenged and ultimately subverted, leading to a reassessment of their identities.
- Liminal Spaces and Cultural Hybridity: The thesis explores the significance of liminal spaces and cultural hybridity in shaping the characters' memories and identities.
Zusammenfassung der Kapitel (Chapter Summaries)
The first chapter introduces the central theme of memory and identity in Kazuo Ishiguro’s work. It explores how memory, as a fragile and sometimes unreliable force, shapes our understanding of self and the world around us. Chapter 2 delves into the theoretical framework, drawing on cognitive psychology to define “autobiographical memory” and its role in constructing personal identity. Chapter 3 examines the interplay between memory and identity in The Remains of the Day. It explores how the protagonist, Stevens, grapples with the ambivalent forces of memory, leading to both self-deception and self-reflection. The chapter analyzes how Stevens’s idealized memories of the past ultimately conflict with his present reality. Chapter 4 focuses on When We Were Orphans, analyzing how the protagonist, Christopher Banks, attempts to reconstruct his past through a fragmented and traumatic memory. It investigates how the unreliability of his memory ultimately undermines his idealized childhood and his pursuit of truth.
Schlüsselwörter (Keywords)
The key terms and concepts explored in this thesis include memory, identity, autobiographical memory, self-deception, self-reflection, nostalgia, idealism, trauma, liminal spaces, cultural hybridity, and the detective novel.
- Quote paper
- Thorben Höppner (Author), 2021, Identity and the Ambivalent Force of Memory in Kazuo Ishiguro’s "The Remains of the Day" and "When We Were Orphans", Munich, GRIN Verlag, https://www.grin.com/document/1354992
