The present book analyses the representations of Moroccan identity in colonial and postcolonial discourses. The first part of this book is concerned with the misrepresentations of the Moroccan identity in Walter Harris’s "Morocco That Was" (1921); a book that is highly affected by the ideologically driven colonial assumptions. In the colonial period, the West inflicted a set of systems of categorization on the colonized which they displayed as global objective systems of knowledge. The text under study is examined from an ideological and historical lens. The second part of this study provides a dismantlement of the orientalist falsified images and misrepresentations of Moroccans. Relying on Laila Lalami’s "The Moor’s Account" (2014), this research sheds light on how this postcolonial intellectual makes use of counter-discursive strategies for the purpose of challenging the falsified assumptions of the colonial power.
Inhaltsverzeichnis (Table of Contents)
- Introduction
- I. Delimiting the Field: Travel Narrative, Identity, Representation and Resistance
- Travel Narrative
- Identity
- Representing the Other in the Colonial Discourse
- Resistance and Identity in Counter-discourse
- II. The Moroccan Identity in Morocco That Was
- The Historical Context of Morocco That Was
- Representing the Moroccan Identity in Morocco That Was
- III. Counter Discourse in Laila Lalami's The Moor's Account
- Rewriting History as a Counter Discursive Strategy in The Moor's Account
- Language as a Counter Discursive Strategy in The Moor's Account
Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)
This book analyzes the portrayal of Moroccan identity in colonial and postcolonial discourses. It aims to examine how colonial narratives misrepresented Moroccan identity and how postcolonial writers employ counter-discursive strategies to challenge these representations.
- Colonial misrepresentation of Moroccan identity
- Orientalist stereotypes in colonial literature
- The use of counter-discourse in postcolonial literature
- Rewriting history as a form of resistance
- Language as a tool for challenging colonial narratives
Zusammenfassung der Kapitel (Chapter Summaries)
Introduction: This introductory chapter sets the stage for the book's central arguments. It lays out the framework for understanding colonial representations of Morocco and the subsequent counter-narratives that emerged in postcolonial literature. The chapter likely defines key terms like "travel narrative," "identity," "representation," and "resistance," establishing a theoretical basis for analyzing the chosen texts. It also introduces the two primary texts that will be examined: Walter Harris's *Morocco That Was* and Laila Lalami's *The Moor's Account*, highlighting their contrasting approaches to portraying Moroccan identity.
I. Delimiting the Field: Travel Narrative, Identity, Representation and Resistance: This chapter provides a theoretical framework for the subsequent analysis. It delves into the characteristics of travel narratives, exploring their role in shaping perceptions of foreign cultures and identities. The chapter will likely analyze how the "Other" is represented within the colonial discourse, highlighting the power dynamics at play and the inherent biases involved. Crucially, it will introduce the concept of resistance and how marginalized groups use counter-discourse to challenge dominant narratives, setting the groundwork for understanding Lalami's counter-narrative in the later chapters.
II. The Moroccan Identity in Morocco That Was: This chapter focuses on a critical analysis of Walter Harris's *Morocco That Was*. It examines how Harris's colonial perspective shaped his representation of Moroccan identity, likely highlighting the perpetuation of orientalist stereotypes and the biases inherent in his travelogue. This section will probably delve into the historical context of Harris's work, exploring the socio-political climate that influenced his portrayal of Morocco. The analysis will likely reveal how Harris's narrative reflects the broader colonial project of subjugation and control.
III. Counter Discourse in Laila Lalami's The Moor's Account: This chapter analyzes Laila Lalami's *The Moor's Account* as a prime example of postcolonial counter-discourse. It will likely explore how Lalami challenges and subverts the colonial representations of Morocco presented in works like Harris's. The chapter will likely examine Lalami's use of specific literary techniques, such as rewriting history and employing language strategically, to reclaim a more accurate and nuanced representation of Moroccan identity. This will entail an analysis of the novel's narrative strategies and its success in offering an alternative perspective.
Schlüsselwörter (Keywords)
Moroccan identity, colonial representation, postcolonial literature, counter-discourse, orientalism, travel narrative, Laila Lalami, Walter Harris, *Morocco That Was*, *The Moor's Account*, rewriting history, language, resistance.
Frequently asked questions
What is the main focus of the academic text described in the HTML?
The text analyzes the portrayal of Moroccan identity in colonial and postcolonial discourses. It examines how colonial narratives misrepresented Moroccan identity and how postcolonial writers employ counter-discursive strategies to challenge these representations.
What are the key themes explored in this academic work?
The key themes include colonial misrepresentation of Moroccan identity, Orientalist stereotypes in colonial literature, the use of counter-discourse in postcolonial literature, rewriting history as a form of resistance, and language as a tool for challenging colonial narratives.
Which primary texts are analyzed in this work?
The two primary texts analyzed are Walter Harris's *Morocco That Was* and Laila Lalami's *The Moor's Account*.
What does the introduction chapter cover?
The introduction sets the stage for the book's central arguments, laying out the framework for understanding colonial representations of Morocco and the subsequent counter-narratives that emerged. It defines key terms and introduces the primary texts.
What is the significance of Chapter I, "Delimiting the Field: Travel Narrative, Identity, Representation and Resistance"?
This chapter provides a theoretical framework for the subsequent analysis. It delves into the characteristics of travel narratives, their role in shaping perceptions, and the concept of resistance through counter-discourse.
What is the focus of Chapter II, "The Moroccan Identity in Morocco That Was"?
This chapter provides a critical analysis of Walter Harris's *Morocco That Was*, examining how his colonial perspective shaped his representation of Moroccan identity and the perpetuation of Orientalist stereotypes.
What does Chapter III, "Counter Discourse in Laila Lalami's The Moor's Account," analyze?
This chapter analyzes Laila Lalami's *The Moor's Account* as a prime example of postcolonial counter-discourse, exploring how Lalami challenges colonial representations through rewriting history and strategic use of language.
What are the main keywords associated with this academic work?
The keywords include Moroccan identity, colonial representation, postcolonial literature, counter-discourse, orientalism, travel narrative, Laila Lalami, Walter Harris, *Morocco That Was*, *The Moor's Account*, rewriting history, language, and resistance.
What is "counter-discourse" in the context of this academic text?
Counter-discourse refers to the strategies employed by marginalized groups, especially postcolonial writers, to challenge and subvert dominant, often colonial, narratives and representations of their identity and history.
How does Laila Lalami's *The Moor's Account* function as counter-discourse?
Lalami's *The Moor's Account* rewrites history from the perspective of a Moroccan slave, challenging the Eurocentric narratives of the conquest of the Americas and offering a more nuanced and authentic portrayal of the Moorish experience. It uses language and narrative strategies to reclaim agency and resist colonial representations.
- Quote paper
- Fatma Karkafi (Author), 2018, Morocco in Postcolonial Literature, Munich, GRIN Verlag, https://www.grin.com/document/1559009
