Functioning like a clockwork – musicality in "A Clockwork Orange"

Music and musical elements in A Clockwork Orange, both novella and film, are realised and play an important role in achieving the main purpose of the novel/film: to discuss the idea of the free will


Hausarbeit (Hauptseminar), 2011

28 Seiten, Note: 1,3


Leseprobe


Inhaltsverzeichnis

1.0 Music in film and literature
1.1 Functions of film-music
1.2 Different kinds of film-music
1.3 Summary
1.4 Musical elements in literature
1.4.1 The beat-poets
1.4.2 Different kinds of intermediality between film and literature
1.5 Conclusion and thesis statement

2.0 Practical part
2.1 Musical elements and their function in the novella
2.1.1 A Clockwork Orange and the sonata form
2.1.2 Literature staged as music in A Clockwork Orange
2.2 The score-music of A Clockwork Orange
2.3 Synthesis of film and book - musical elements translated into film

3.0 Conclusion

Ende der Leseprobe aus 28 Seiten

Details

Titel
Functioning like a clockwork – musicality in "A Clockwork Orange"
Untertitel
Music and musical elements in A Clockwork Orange, both novella and film, are realised and play an important role in achieving the main purpose of the novel/film: to discuss the idea of the free will
Hochschule
Universität Augsburg  (Philologisch-Historische Fakultät)
Veranstaltung
Fiction and Film - Literary Texts and Their Filmic Adaptions
Note
1,3
Autor
Jahr
2011
Seiten
28
Katalognummer
V196422
ISBN (eBook)
9783656228417
ISBN (Buch)
9783656231844
Dateigröße
621 KB
Sprache
Englisch
Schlagworte
functioning, clockwork, orange, music, literature, spontaneous prose, kubrick, burgess, film, novella, violence, beat poets
Arbeit zitieren
Lukas Dingelmaier (Autor:in), 2011, Functioning like a clockwork – musicality in "A Clockwork Orange", München, GRIN Verlag, https://www.grin.com/document/196422

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