Black Boy: A character analysis of Richard Wright

Inhaltsangabe oder Einleitung

Richard Wright is the author, narrator, and protagonist of Black Boy. Growing up in an
abusive family environment in the racially segregated and violent American South, Richard
finds his salvation in reading, writing, and thinking. He grows up feeling insecure about his
inability to meet anyone's expectations, particularly his family's wish that he accept religion.
Even though he remains isolated from his environment and peers, at the autobiography's end
Richard has come to accept himself.
The book literally throbs with the passionate expression of a young boy
who lived through hell and agony, through trauma after trauma, who
escaped into books and continually sought to know the meaning of his
life. [...] He is seeking most of all to find and know himself – his true
identity (Walker 190).
Charles T. Davis identifies three themes in Black Boy. The first is survival,
the second theme is the making of the artist and the third theme is didacticism
characterized by social purposefulness (432).
Richard Wright’s most essential characteristic may be his tremendous belief in his
own worth and capabilities. This belief frequently renders him willful, stubborn, and
disrespectful of authority, putting him at odds with his family and with those who expect him
to accept his degraded position in society. Because almost everyone in Richard's life thinks
this way, he finds himself constantly punished for his nonconformity with varying degrees of
physical violence and emotional isolation. Richard Wright continually faces a world that
relies on force, rather than sound judgment and truth. Richard is cursed, beaten, or slapped
every time he stands up to Granny, Addie, or other elders, regardless of how justified he may
be in doing so. Robert Felgar argues that the book’s entire plot is about “self-proclaimed
innocence meet[ing] with a brutal response at nearly every tur n” (63). According to him,
Richard lives in world that “readily substitutes emotion for thought”, making Black Boy “a
plea for rationality over physicality” (73). [...]