Leseprobe
Content
1 Introduction
2 Definitions: (Transnational) Television Formats and the Circuit of Media Culture
3 Transnational Format Adaptations in the „Circuit of Media Culture“
3.1 Production: Globalization and Format Trade
3.2 Representation: Cultural Imperialism vs. Diversity
3.3 Appropriation: Identification with Local Aspects
4 Case Studies: Comparison of the Representation in The Office and Stromberg
4.1 Genre and Format
4.2 Narrative Structures and Background Information
4.3 Methodology
4.4 Comparison of the Pilot Episodes in Seven Categories
4.4.1 Storyline
4.4.2 Setting and Workplace Culture
4.4.3 Characters and Constellations
4.4.4 Linguistic Aspects
4.4.5 Cultural References and Intertextuality
4.4.6 Political Correctness and Discrimination
4.4.7 Humor
5 Conclusion
6 Sources
7 Appendix
- Arbeit zitieren
- Bachelor of Arts Sophia Schulze (Autor:in), 2012, Transnational Format Adaptation, München, GRIN Verlag, https://www.grin.com/document/270968
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