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Superstition. Nothing Is Incredible Enough Not to Be Believed In

Titel: Superstition. Nothing Is Incredible Enough Not to Be Believed In

Facharbeit (Schule) , 2012 , 17 Seiten , Note: 0,7

Autor:in: Lisa-Sophie Schöben (Autor:in)

Anglistik - Sonstiges
Leseprobe & Details   Blick ins Buch
Zusammenfassung Leseprobe Details

It is really true that superstition has already had a long tradition.
Its roots can be traced back into Ancient Greece; it played an important role in antiquity and had its peak in the Middle Ages which is especially known for the witchcraft trials. Many tragedies, dramas, and poems from that period of time dealing with superstition are still popular today.

By definition “superstition is a widely held but irrational belief in supernatural influences, especially as leading to good or bad luck, or a practice based on such a belief.”
It attributes powers to persons and things which are not nature-given.

Is superstition a current matter nowadays? Which elements are still present today and how far is it spread? Is there room for anything so old-fashioned, credulous, and primitive in our modern, rational time determined by reason, intellect, and sanity? Or is it just an unimportant “fashion” which recurs every now and then and is only smiled at by the majority?

Does superstition have any significance other than entertaining us? What do superstitious rites include and what traditions are still exerted today?

Leseprobe


Table of Contents

1 Introduction

2 Superstition

2.1. What Is “Superstition”?

2.2. The Origin of Superstition

2.3. Superstitious Practices

2.3.1. Symbols of Good & Bad Luck

2.3.2. Lucky Charms

2.3.3. Astrology

2.3.4. Dreams & Oneiromancy

2.3.5. Magic

2.4. Supernatural Creatures

2.4.1. The Devil

2.4.2. Vampires & Werewolves

2.4.3. Witches

2.5. Superstition & Religion

3 Superstition In Shakespeare’s “Macbeth”

4 Modern Superstition

4.1. Superstition In The 20th Century

4.2 Superstition In Modern Literature Using The Example of “The Vampire Diaries”

5 Conclusion

Objectives and Topics

The paper examines the historical, psychological, and religious foundations of superstition and explores how these irrational beliefs persist in modern society, specifically through literature and pop culture.

  • Historical roots and evolution of superstitious beliefs from antiquity to the Middle Ages.
  • Psychological mechanisms behind human reliance on magic, supernatural creatures, and occult practices.
  • The intersection of superstition with religious structures and its portrayal in Shakespearean drama.
  • Modern manifestations of superstition in 20th-century movements and contemporary media such as "The Vampire Diaries".

Excerpt from the Book

2.3. Superstitious Practices

Even in today’s modern world many symbols stand for good or bad luck. You can find many customs in everyday life such as crossing fingers, hanging a horseshoe over your door, catching a falling leave in fall, spitting over one’s shoulder or throwing salt over your own shoulder. If you find a four-leaved clover or meet a chimney sweep, you are said to be a very lucky person.

There are also signs for bad luck. It is said that if a black cat crosses your way or if you break a mirror, you will have a bad fortune. Other omens for mischief are spilling salt, walking under a ladder, getting up on your left foot or if the horseshoe over your door turns around, your chance will fall out and you will be afflicted. Especially feared is the hoot of an owl because this is a death sign. For some people the simple number “13” is horrifying because it is reputed as an indicator of bad luck whereas in other regions like China or a small part of Brazil it is “the lucky number”. In Mandarin, the digit “1” when positioned in tens sounds like the word “definite”, while the digit “3” sounds like “life”. As a result, the number “13” can mean “definitely vibrant” or “assured growth”. Another tradition which is an anxiety-provoking aspiration for fortune are chain-letters. Supposedly, they bring happiness to those who follow the instructions and pass them on and bring harm to those who do not obey. Chain-letters are a promise and a threat.

Summary of Chapters

1 Introduction: Provides an overview of the long-standing tradition of superstition and introduces the core question of its relevance in a modern, rational society.

2 Superstition: Analyzes the etymology, psychological roots, and various forms of superstitious practices and supernatural entities throughout history.

3 Superstition In Shakespeare’s “Macbeth”: Explores how supernatural elements and the belief in witchcraft were integrated into Shakespeare's play to reflect contemporary fears and political influences.

4 Modern Superstition: Investigates the survival of superstitious beliefs in the 20th century through occult movements and their integration into modern storytelling.

5 Conclusion: Summarizes that while superstition is largely practiced for amusement today, it remains a deep-seated part of human culture.

Keywords

Superstition, Magic, Witchcraft, The Devil, Shakespeare, Macbeth, Astrology, Occult, Supernatural, Folklore, The Vampire Diaries, Psychology, Religion, Traditions, Modern Literature

Frequently Asked Questions

What is the core focus of this research paper?

The paper explores the historical origins and psychological persistence of superstition, analyzing how these beliefs manifest from ancient times through Shakespearean literature to contemporary pop culture.

What are the primary thematic areas covered?

The study covers the psychological roots of superstition, historical superstitious practices, the role of supernatural creatures, the conflict between superstition and religion, and its representation in media.

What is the primary objective of the work?

The objective is to understand why superstition continues to influence human behavior despite scientific progress and how it serves as an indicator of deeply felt human needs.

Which scientific or analytical methods were used?

The author employs a literature-based analytical approach, reviewing historical texts, psychological theories, sociological surveys, and literary criticism to assess the impact of superstition.

What does the main body of the paper address?

It addresses the definition and psychological origins of superstition, practical rituals, specific supernatural figures like the Devil and witches, and their portrayal in literature such as "Macbeth" and "The Vampire Diaries".

Which keywords characterize this paper best?

Key terms include superstition, magic, witchcraft, occult, Shakespeare, Macbeth, modern literature, folklore, and supernatural influence.

How is "The Vampire Diaries" used to illustrate superstition?

The series serves as a modern case study that incorporates a wide range of supernatural myths, such as vampires, werewolves, and witchcraft, showing how traditional tropes are modernized in contemporary media.

What relationship does the author establish between superstition and the Middle Ages?

The author highlights the Middle Ages as a peak era for witchcraft trials and demonology, suggesting that modern fascinations often draw from these historical fears and cultural practices.

Ende der Leseprobe aus 17 Seiten  - nach oben

Details

Titel
Superstition. Nothing Is Incredible Enough Not to Be Believed In
Note
0,7
Autor
Lisa-Sophie Schöben (Autor:in)
Erscheinungsjahr
2012
Seiten
17
Katalognummer
V300986
ISBN (eBook)
9783668013384
ISBN (Buch)
9783668013391
Sprache
Englisch
Schlagworte
superstition nothing incredible enough believed
Produktsicherheit
GRIN Publishing GmbH
Arbeit zitieren
Lisa-Sophie Schöben (Autor:in), 2012, Superstition. Nothing Is Incredible Enough Not to Be Believed In, München, GRIN Verlag, https://www.grin.com/document/300986
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