This essay deconstructed the performance "Boy Girl Wall" to determine its efficacy as a Postmodern Theatre performance. The conventions analysed in the exposition were appropriation, intertextuality and the integration of live and digital media. The dramatic element of symbolism was also analysed to decide whether the performance was effective in satisfying the demands of Postmodernism. The final conclusion of the essay was that "Boy Girl Wall" was an exemplary piece of Postmodern Theatre.
Table of Contents
1. Compliance of Boy Girl Wall with Postmodern Theatre Style
Objective and Themes
This work aims to analyze the 2010 performance piece "Boy Girl Wall" to evaluate its adherence to the conventions and aesthetic markers of Postmodern Theatre. The central research question explores how specific dramatic elements and techniques are utilized to challenge traditional theatrical boundaries and immerse the audience in a non-linear narrative.
- Application of appropriation techniques to contextualize postmodern performance
- Use of intertextuality to subvert traditional theatrical expectations
- Integration of live and digital media to manipulate space and time
- Symbolism and the personification of inanimate objects to represent the human condition
Excerpt from the Book
Compliance of Boy Girl Wall with Postmodern Theatre Style
Boy Girl Wall is an effective Postmodern Theatre performance realised by Matthew Ryan, Lucas Stibbard, Neridah Waters and Sarah Winter, which was staged in 2010. The theatrical masterpiece was nominated for the Helpmann Award for Best Actor in 2011 and won the Matilda Award for Best Independent Production in 2010, proving its efficacy as a Post-modern Theatre performance. Post-modern Theatre is about “challenging the boundaries of what constitutes classical drama, as well as the space in which that drama occurs, much of postmodern drama might be called performances, or happenings, and overlaps with the performance in body art” (Woods, 1999). Through the conscious manipulation of appropriation, the integration of live and digital media, intertextuality and the employment of symbolism, the performance successfully captured the imagination of viewers and immersed them in the fantastical tale of love. The deliberation of these conventions and dramatic elements contributed towards the effectiveness of the performance in obeying the conventions of the Postmodern Theatre style.
Summary of Chapters
Compliance of Boy Girl Wall with Postmodern Theatre Style: This section provides an analytical overview of how the performance piece effectively utilizes postmodern conventions such as appropriation, intertextuality, media integration, and symbolism to create a distinct theatrical experience.
Keywords
Boy Girl Wall, Postmodern Theatre, Appropriation, Intertextuality, Digital Media, Symbolism, Performance Art, Theatrical Convention, Narrative, Human Condition, Surrealism, Realism, Dramatic Elements, Matthew Ryan, The Escapists
Frequently Asked Questions
What is the primary focus of this paper?
This paper focuses on the performance piece "Boy Girl Wall" and evaluates its successful implementation of various conventions associated with Postmodern Theatre.
What are the central themes discussed in the analysis?
The analysis covers the use of appropriation, the role of intertextuality, the integration of live and digital media, and the effective employment of symbolism to convey deeper meanings.
What is the primary objective of the research?
The objective is to demonstrate how "Boy Girl Wall" breaks away from traditional theatrical storytelling to engage the audience through postmodern techniques.
Which scientific methods are utilized?
The paper employs a qualitative analysis of theatrical conventions, referencing established performance theory and scholarly definitions of postmodernism to interpret the work.
What does the main body of the text cover?
The main body examines the specific application of dramatic elements, such as props, sound design, and character interaction, to establish the performance's postmodern identity.
Which keywords characterize this work?
Key terms include Postmodern Theatre, Boy Girl Wall, Intertextuality, Appropriation, Symbolism, and Digital Media integration.
How does the performance use appropriation?
Appropriation is used purposefully in the opening scenes, referencing traditional theater styles and iconic pieces to contrast them against the non-traditional nature of "Boy Girl Wall."
In what way is intertextuality achieved?
The narrator embeds references to well-known historical films like "Titanic" and "The Sound of Music," which helps guide the audience's expectations away from conventional narratives.
What is the significance of the floor, wall, and ceiling in the performance?
These inanimate objects are personified to represent aspects of the human condition—the floor as reality/truth, the ceiling as protection, and the wall as emotional barriers—thereby adding a layer of surrealism.
How does sound contribute to the performance?
Sound serves as a vital element of digital performance, setting the mood, underscoring character development, and emphasizing pivotal philosophical moments through the use of music and sound effects.
- Quote paper
- Kassidy-Rose McMahon (Author), 2016, Compliance of "Boy Girl Wall" with Postmodern Theatre Style, Munich, GRIN Verlag, https://www.grin.com/document/334495
