The Chronicles of Narnia attract not only children, but also readers past the childhood age group. The story that takes place within the seven books possesses something that is explained by Lewis´s favourite childhood author Robert Louis Stevenson as “nameless longings”. According to him, the stories, apart from containing realities of life, should provide the reader with something that makes them want more even after the book has come to its end.
The main aim of the thesis is to give some of the nameless longings a proper name. The first part is dedicated to analysis of the Chronicles on the basis of Joseph Campbell´s approach to mythology and C.G. Jung´s analysis of archetypes to demonstrate that Lewis´s way of combining different views into one story corresponds with Campbell’s theory of Monomyth.
The second part addresses Lewis´s own view on mythology and what makes a good myth in accordance with his checklist in An Experiment in Criticism. Additionally, the second part attempts to clarify that Lewis did not draw from the world´s mythology only; the story is also based on a collection of Narnia´s own myths that are passed down throughout its history.
The third and the final part of the thesis looks at the Chronicles from the point of view of the Christian myth and the idea that religious myths in general follow a common pattern of a saviour sacrificing himself for the believers in order to save the world from the evil. Furthermore, Lewis´s own views on religion and its influence on writing the Chronicles are discussed.
Table of Contents
- PART ONE
- Chapter One: Pevensies and the Monomyth
- Chapter Two: Archetypes: Masks that Shape the Story
- PART TWO
- Lewis and the Myth of His Own
- PART THREE
- Aslan and the Christian Myth
Objectives and Key Themes
This thesis analyzes C.S. Lewis's Chronicles of Narnia, exploring the interplay of mythology, religion, and personal experience in shaping the narrative. It examines how Lewis's work aligns with Joseph Campbell's monomyth theory and explores the author's own perspectives on mythology and its connection to religious belief.
- The application of Joseph Campbell's monomyth theory to the Chronicles of Narnia.
- The role of archetypes in shaping the narrative and characters.
- The influence of Lewis's personal experiences and worldview on the creation of Narnia.
- The integration of various mythologies and religious themes within the narrative.
- The exploration of Lewis's views on the nature of myth and its capacity to convey profound truths.
Chapter Summaries
Chapter One: Pevensies and the Monomyth: This chapter analyzes the Pevensie children's journey through Narnia using Joseph Campbell's monomyth theory. It examines how their experiences align with the stages of the hero's journey, from the ordinary world to the supernatural realm and back again. The chapter explores the characters' transformations and their ultimate return with newfound wisdom and power, connecting these elements to Campbell's framework and demonstrating the universality of the mythic structure within Lewis's narrative. The analysis delves into the significance of this structure in creating a compelling and resonant story, examining the parallels between the Pevensies' adventures and other well-known mythic narratives.
Chapter Two: Archetypes: Masks that Shape the Story: This chapter delves into the use of archetypes in the Chronicles of Narnia. It explores how C.S. Lewis employs established archetypal figures and situations to create depth and resonance in his characters and plot. The analysis will investigate specific examples of archetypes such as the hero, the mentor, the villain, and the trickster, demonstrating how these figures contribute to the overall narrative and thematic concerns of the series. It also investigates how Lewis manipulates and subverts these traditional archetypes, making them unique to his own narrative and enhancing the thematic complexity of the story.
Keywords
C.S. Lewis, Chronicles of Narnia, Monomyth, Archetypes, Mythology, Christianity, Fantasy Literature, Joseph Campbell, Carl Jung, Religious Themes, Literary Analysis.
C.S. Lewis's Chronicles of Narnia: A Comprehensive Language Preview - FAQ
What is this document?
This is a preview of a thesis analyzing C.S. Lewis's Chronicles of Narnia. It provides a table of contents, objectives, key themes, chapter summaries, and keywords. The focus is on the interplay of mythology, religion, and personal experience in shaping the narrative.
What are the main topics covered in this thesis?
The thesis explores several key areas: the application of Joseph Campbell's monomyth theory to the Chronicles of Narnia; the role of archetypes in shaping the narrative and characters; the influence of Lewis's personal experiences and worldview on the creation of Narnia; the integration of various mythologies and religious themes within the narrative; and an exploration of Lewis's views on the nature of myth and its capacity to convey profound truths.
What is the structure of the thesis?
The thesis is divided into three parts. Part One focuses on the Pevensies and the Monomyth, and Archetypes. Part Two examines Lewis's personal myth. Part Three analyzes Aslan and the Christian Myth. Each part contains chapters detailing specific aspects of these topics.
What is covered in Chapter One: Pevensies and the Monomyth?
This chapter analyzes the Pevensie children's journey through Narnia using Joseph Campbell's monomyth theory. It examines how their experiences align with the stages of the hero's journey, exploring their transformations and return with newfound wisdom and power. The chapter connects these elements to Campbell's framework, demonstrating the universality of the mythic structure within Lewis's narrative.
What is covered in Chapter Two: Archetypes: Masks that Shape the Story?
This chapter delves into the use of archetypes in the Chronicles of Narnia. It explores how C.S. Lewis employs established archetypal figures (hero, mentor, villain, trickster) to create depth and resonance. The analysis investigates how Lewis manipulates and subverts these traditional archetypes, enhancing the thematic complexity.
What are the key themes of the thesis?
Key themes include the monomyth, archetypes, mythology, Christianity, the interplay between personal experience and narrative creation, and the exploration of Lewis's perspectives on myth and its power to convey meaning.
What are the keywords associated with this thesis?
Keywords include: C.S. Lewis, Chronicles of Narnia, Monomyth, Archetypes, Mythology, Christianity, Fantasy Literature, Joseph Campbell, Carl Jung, Religious Themes, Literary Analysis.
What is the overall objective of the thesis?
The thesis aims to analyze the Chronicles of Narnia by exploring how mythology, religion, and Lewis's personal experiences shaped the narrative. It investigates the alignment of Lewis's work with Campbell's monomyth and explores Lewis's views on the connection between mythology and religious belief.
- Quote paper
- Lenka Šerešová (Author), 2017, The Use of Mythological Elements in "The Chronicles of Narnia" by C. S. Lewis, Munich, GRIN Verlag, https://www.grin.com/document/377232