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The Madwoman in the Attic. A Counterpart of Self Imprisonment and Freedom in Charlotte Brontë's "Jane Eyre"

Titel: The Madwoman in the Attic. A Counterpart of Self Imprisonment and Freedom in Charlotte Brontë's "Jane Eyre"

Hausarbeit , 2015 , 17 Seiten , Note: 2,0

Autor:in: Susanne Wrobel (Autor:in)

Anglistik - Literatur
Leseprobe & Details   Blick ins Buch
Zusammenfassung Leseprobe Details

Every society has its norms and values, a code of appropriate behavior that can differ not only from one culture to another but also from one period of time to the next. A norm, according to the Oxford English Dictionary, constitutes a pattern or standard of accepted and expected behavior of a group. These arbitrary conventions of societal rules force an individual to abide by such set standards if he or she wishes to be integrated and enjoy all the advantages community has to offer. Though these social norms bridle us, having guidelines of how to interact in various circumstances, impart a sense of security, in that they tell us what to expect of other people and also facilitate day to day interaction. However, when an individual’s world view and pursuits strongly collide with that of society’s prescriptions, he or she can have difficulties to act upon them, as the norms prevalent in a society are strongly shaping people’s opinion and behavior and allow not much room for deviation.

The power of a whole society can thus become so overwhelming to an individual, that they feel disoriented, as they cannot openly show their true emotions and feelings. Opposition to prescribed norms might only be uttered by a still, small voice, through a passive aggressive behavior. This can have devastating effects on the person nourishing anger, to which one inevitably has to give vent in one way or another. In the course of history, women were often restricted in their self-development.

In 19th century Victorian society, the time of Charlotte Brontë’s Jane Eyre, marriage was depicted as the only fulfilling destiny for women. The “angel of the house” was supposed to have a quiet spirit and act in total submission to male authority. The following pages will analyze how Bertha Rochester is the personification of Jane’s rebellion and feeling of oppression in a male dominated society in which she challenges established and rigid gender norms and fights for love and freedom. First of all it will be analyzed how space is semanticized and becomes a bearer of meaning, and so provides information about Jane’s world and her feelings. Secondly, Jane’s and Bertha’s imprisonment and denied freedom will be examined, followed by a closer look at Jane’s process of self-realization.

Leseprobe


Table of Contents

1. Introduction

2. The Semanticization of Space

3. Imprisonment and Denied Freedom

3.1 Gateshead and the Red-Room

3.2 Thornfield and Bertha’s Attic

4. Jane’s Process of Self-Realization

4.1 Jane’s quest for freedom and The wild Moors

4.2 Bertha’s death

5. Conclusion

Objectives and Themes

This paper examines how Charlotte Brontë’s novel Jane Eyre reflects the societal oppression of women in the Victorian era by using Bertha Rochester as a personification of the protagonist's own repressed anger and desire for freedom. Through an analysis of spatial symbolism and personal development, the study explores how Jane negotiates the conflict between social expectations and her individual need for autonomy.

  • The role of spatial settings in representing emotional states and societal constraints.
  • The parallel between Jane Eyre and Bertha Rochester as "mad" women rebelling against authority.
  • Jane’s internal struggle to achieve independence and financial self-sufficiency.
  • The critique of 19th-century gender norms regarding marriage and female submission.

Excerpt from the Book

3.1 Gateshead and the Red-Room

For while the world outside Gateshead is almost unbearably wintry, the world within is claustrophobic (Gilbert and Gubar 340).

The first pages of Jane Eyre depict a cold winter day. We find Jane in her hiding place, on a window seat behind a scarlet curtain. From there she alternately stares out at the “drear November day” and reads of Polar Regions in Bewick’s History of British Birds (Gilbert 340). For Jane, the “death-white realms” of the Arctic and “the multiple rigors of extreme cold” are fascinating, and it seems as if she is reflecting her own predicament, trying to decide whether to stay behind the oppressively scarlet curtain or to go out into a cold and loveless world (Gilbert 340). Jane, the orphan child, is excluded from “privileges intended only for contented, happy little children” (Bronte 9) and therefore from society (Gilbert 340). Her aunt’s refusal to love and accept Jane and giving her a chance to win her favor, increases Jane’s feeling of loneliness. How could a child, who is denied love and comfort from those closest, and thus not growing up as most children do, act as happy as those who experience the constant warmth of their loved ones? Abandonment is an extreme situation that evokes extreme feelings.

Summary of Chapters

1. Introduction: This chapter outlines the societal norms of the Victorian era and presents the thesis that Bertha Rochester serves as a physical manifestation of Jane’s inner rebellion against male-dominated structures.

2. The Semanticization of Space: This section explores how literary settings function as symbols of meaning, where closed spaces typically represent confinement and open spaces represent both liberation and hostility.

3. Imprisonment and Denied Freedom: This chapter analyzes how physical confinement at both Gateshead and Thornfield acts as a punishment for women who fail to conform to the ideal of the submissive "angel in the house."

4. Jane’s Process of Self-Realization: This chapter tracks Jane’s journey toward personal agency, examining her struggle to reconcile her need for love with her refusal to enter an unequal, restrictive marriage.

5. Conclusion: The conclusion synthesizes the findings, asserting that Jane can only enter a healthy marriage after achieving financial and emotional independence and overcoming the traumatic associations of her past.

Keywords

Jane Eyre, Charlotte Brontë, Victorian era, female oppression, Bertha Rochester, imprisonment, self-realization, gender norms, domestic sphere, autonomy, madness, rebellion, marriage, identity, social class.

Frequently Asked Questions

What is the primary focus of this paper?

The paper focuses on the correlation between Jane Eyre and Bertha Rochester, analyzing how Bertha embodies the repressed emotions and rebellious nature that Jane experiences throughout the novel.

What are the central thematic areas?

The central themes include the symbolical meaning of space, the constraints placed on women in Victorian society, the psychological impact of solitary confinement, and the quest for individual identity.

What is the primary research goal?

The primary goal is to analyze how Jane challenges the rigid gender expectations of her time and how she ultimately navigates her path toward freedom and equality within the context of marriage.

Which scientific methods are employed?

The work utilizes literary analysis, specifically focusing on spatial imagery and thematic character comparison, supported by references to historical cultural contexts and feminist literary theory.

What topics are discussed in the main body?

The main body treats the semanticization of space, the parallel imprisonment of Jane and Bertha at Gateshead and Thornfield, Jane’s complex development toward self-realization, and the necessity of Bertha’s death for the novel’s resolution.

Which keywords characterize the work?

Key terms include Jane Eyre, Victorian era, female rebellion, domestic sphere, autonomy, and the madwoman motif.

How does the author interpret the "Red-Room" experience?

The author interprets the red room as a place of both literal and figurative imprisonment that forces Jane into a position of isolation, ultimately serving as an early catalyst for her rebellion.

Why is the role of Bertha Rochester considered crucial?

Bertha is considered crucial because she functions as Jane’s "mad double," externalizing the anger and passion that Jane must keep hidden to survive within the strictures of Victorian society.

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Details

Titel
The Madwoman in the Attic. A Counterpart of Self Imprisonment and Freedom in Charlotte Brontë's "Jane Eyre"
Hochschule
Ruprecht-Karls-Universität Heidelberg  (Anglistik)
Veranstaltung
The Victorian Age
Note
2,0
Autor
Susanne Wrobel (Autor:in)
Erscheinungsjahr
2015
Seiten
17
Katalognummer
V418835
ISBN (eBook)
9783668676565
ISBN (Buch)
9783668676572
Sprache
Englisch
Schlagworte
jane eyre bertha mason charlotte bronte
Produktsicherheit
GRIN Publishing GmbH
Arbeit zitieren
Susanne Wrobel (Autor:in), 2015, The Madwoman in the Attic. A Counterpart of Self Imprisonment and Freedom in Charlotte Brontë's "Jane Eyre", München, GRIN Verlag, https://www.grin.com/document/418835
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