This paper will analyze the song ‘written impossible for human' by charismatic Jane Zhang. The song lies in the binary-AB form of music. It is easy to notice that the song consists of two meaningful but different parts that is the intro or the initial part and the finisher. Notably, the initial parts of the song bring up the lyrics and the instrumental into content while the second and the final part consist of artistic vocals and hard rock pop instrumentals.
Table of Contents
1. Form of Song
2. Genre Characteristics
3. Instrumentation
4. Duration
5. Tempo
6. Texture
7. Dynamics
8. Rhythm
9. Melody
10. Harmony
11. Differences of Music in Different Section
12. Text Analysis
13. Conclusion
Research Objectives and Key Topics
This paper provides a comprehensive musicological analysis of the song "written impossible for human" by Jane Zhang, aiming to dissect its structural, instrumental, and emotive composition. By examining technical parameters such as tempo, texture, and rhythm, the study explores how the artist achieves a unique balance between artistic experimentation and listener engagement.
- Structural decomposition into binary-AB form
- Genre classification involving orchestral and pop influences
- Technical analysis of musical elements (Instrumentation, Duration, Tempo)
- Evaluation of texture, dynamics, melody, and harmony
- Comparative analysis of song sections and lyrical text thematic interpretation
Excerpt from the Book
Instrumentation
Instrumentation in music is the combination of musical instruments engaged in a composition and the contents of the instruments independently (Malcolm pp.34-78). ‘Written impossible for human' bring in different, sentimental and well-played instrument. For instance, the violins playing in the introduction brings in a connection between the listener and the song itself equally it creates the attention. Additionally, the slowly and quietly played instrument in the first part of the song tells a lot about the song itself. For example, the song conveys a truth and meaningful message that the artist wants her audience to grasp. Unlike the first part, the second part of the song is different this kills the monotony but still, the song does not lose its originality. Furthermore, this part creates the dancing environment and relieves boredom, therefore, making the song entertaining.
Summary of Chapters
Form of Song: The chapter identifies the composition as a binary-AB form, highlighting the contrast between the introductory section and the final part.
Genre Characteristics: This section classifies the song within the realms of orchestral and pop music, detailing how disparate instrumental styles are combined.
Instrumentation: The author discusses the specific role of instruments like violins in establishing listener connection and emotional depth.
Duration: This chapter contextualizes the song's length of 4 minutes and 46 seconds relative to standard radio play.
Tempo: It defines the song's pacing as Adagio, noting its slow and soothing quality measured at 66-75 beats per minute.
Texture: The analysis explains the polyphonic nature of the track, where multiple melodies coexist with equal significance.
Dynamics: This part examines the soft dynamic level of the song and its impact on both instrumentation and vocal delivery.
Rhythm: The chapter categorizes the song's rhythmic pattern as a double rhythm, focusing on the relationship between weak and strong beats.
Melody: It evaluates the melodic range, noting the consistency of the notes used and the slight variations in the second half of the track.
Harmony: The discussion focuses on the consonant intervals used in the arrangement, preventing musical tension.
Differences of Music in Different Section: This section defines various musical segments such as the bridge, verse, and chorus and their structural functions.
Text Analysis: The chapter interprets the lyrical content, suggesting a sentimental theme potentially related to youth experiences.
Conclusion: The author summarizes the effectiveness of the song's arrangement and provides a personal rating of 8 out of 10.
Keywords
Jane Zhang, Musicology, Binary-AB Form, Orchestral Pop, Instrumentation, Adagio, Polyphonic Texture, Music Dynamics, Double Rhythm, Melodic Range, Harmony, Song Structure, Musical Analysis, Sentimental, Composition
Frequently Asked Questions
What is the primary focus of this analysis?
The paper provides a technical and thematic musicological breakdown of the song "written impossible for human" by Jane Zhang.
Which musical genre does the song belong to?
The work is categorized as a fusion of orchestral elements and pop music.
What is the main goal of the research?
The goal is to demonstrate how the song uses specific musical elements like texture and instrumentation to create an engaging, non-monotonous listening experience.
What scientific methods are utilized?
The author uses standard musicological terminology and analysis, referencing various scholarly works on rhythm, structure, and instrumentation.
What elements of the composition are covered in the main body?
The analysis covers the structural form, genre characteristics, duration, tempo, texture, dynamics, rhythm, melody, harmony, and section-specific functions.
Which keywords define this study?
Key terms include Jane Zhang, binary-AB form, instrumentation, polyphonic texture, and Adagio.
How does the author characterize the song's texture?
The song is described as polyphonic because multiple melodies appear simultaneously and carry equal importance.
What significance is attributed to the "bridge" in the song?
The bridge is identified as a crucial section that creates diversity and prevents monotony for the listener.
- Quote paper
- Edison Otieno (Author), 2018, Song analysis of "Written imposssible for human" by Jane Zhang, Munich, GRIN Verlag, https://www.grin.com/document/433634
