Copyright protection in the media and especially in the music industry is a widely discussed topic since several years. In fact new technologies based on Internet changed the situation for the classic business model of the music labels dramatically. CDs become more and more superfluous with the advent of digital media and thus the traditional business model producing and selling them. The music industry of course makes these new technologies responsible for their decline in sales while others argue that the new technologies moreover offer great opportunities for the industry to expand their markets. However I will not join the discussion whether online file sharing is responsible for the decline in record sales2. I rather will show that the new technologies being introduced offer great chances for new ways of producing and distribution of music, no matter the impact it has on the old and outdated business models by selling CDs. In my thesis I try to give some insights into the current dilemma, discuss the most appealing proposals advanced by legal and economic scholars and, finally, provide my own suggestions without neglecting the current political circumstances. Therefore I will give some background information of what is actually going on right now in the markets for music in the second chapter. Then I will shed some light on the basic foundations of copyright, its economic impacts and of course its inefficiencies according the music business. After having analyzed the economic consequences of current copyright laws I will introduce and comment on some recent suggestions to ameliorate the inefficiencies. This will be proposals from single changes of particular parts of copyright to radical abandonment of copyright law at all. In order to ameliorate the dilemma given I will give some suggestions for the short respectively the long run. Unlike the existing literature I will therefore consider current copyright policies in major markets which I will shortly introduce. Furthermore I will argue that copyright might be seen differently in different markets. These are the end-consumer market, the intra-business and the extra-business market as being introduced in the following.
Inhaltsverzeichnis (Table of Contents)
- Introduction
- The current dilemma
- Pirates v. Business
- Constraints of Copyright and its Enforcement
- Uncertainty
- Summing up
- The Notion of Copyright and its Economic Aspects
- Basic foundations
- Economic Rationale of Copyright
- Major Economic Impacts of Copyright Laws
- Monopoly Costs of Copyright
- Primary Monopoly Costs (DWL)
- Secondary Monopoly Costs
- Transaction Costs
- Lack of a Central Registry
- Long Copyright Terms
- Résumé
- Monopoly Costs of Copyright
- Adjustments of Current Copyright Laws
- Optimizing Copyright Enforcement
- Changing the length of copyright
- Finding the Optimal Copyright term
- Renewable Copyright Terms
- Concluding Remarks
- Changing the Scope of Copyright Laws
- Alternative Compensation Model
- Creative Commons or let the artist decide
- the licence
- the code
- The Registry and the Logo
- Concluding Remarks
- Towards a "no rights reserved" - if any impact on the incentives for creating music
- Copyright has little impact on the incentives for creating music
- Current Copyright Developments
Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)
This thesis aims to explore the current dilemma of copyright protection in the music industry, particularly in the context of emerging digital technologies. It analyzes the economic impacts of copyright laws and discusses various proposals to address the inefficiencies that arise. Ultimately, the thesis seeks to offer suggestions for ameliorating the current situation, considering both short-term and long-term perspectives. It also highlights how copyright may be perceived differently across different markets.
- The economic impact of copyright laws on the music industry.
- The impact of digital technologies on the music industry's business models.
- The effectiveness of current copyright enforcement and its limitations.
- Potential adjustments to existing copyright laws, including changes to term length and scope.
- Alternative models for compensation and distribution of music in the digital age.
Zusammenfassung der Kapitel (Chapter Summaries)
The introduction provides an overview of the current debate surrounding copyright protection in the music industry, emphasizing the challenges posed by digital technologies. It highlights the need for exploring new approaches to music production and distribution.
The second chapter delves into the current dilemma facing the music industry. It discusses the clash between traditional business models and the rise of file-sharing technologies, highlighting the “terrorist war” declared on file-sharers. The chapter analyzes the constraints of copyright and its enforcement in the digital age.
The third chapter explores the notion of copyright and its economic aspects. It examines the basic foundations of copyright and its economic rationale, including the major economic impacts of copyright laws. The chapter explores both the monopoly costs associated with copyright and the transaction costs resulting from factors like the lack of a central registry and long copyright terms.
The fourth chapter explores various proposals for adjusting current copyright laws. It discusses strategies for optimizing copyright enforcement, exploring changes to the length of copyright, including finding the optimal copyright term and considering renewable copyright terms. The chapter also delves into potential changes to the scope of copyright laws.
The fifth chapter examines alternative compensation models for music creators in the digital age. It explores the concept of Creative Commons and its potential to empower artists to decide how their work is used and compensated.
Schlüsselwörter (Keywords)
This thesis focuses on the crucial intersection of copyright, the music industry, and digital technologies. The key themes include the economic impact of copyright laws, the changing landscape of music distribution, the effectiveness of copyright enforcement, and alternative models for compensating music creators in the digital age.
- Quote paper
- LL.M. (EMLE) Volker Lehmann (Author), 2005, Copyright in the Music Industry, Munich, GRIN Verlag, https://www.grin.com/document/46964
