The aim of this paper is to analyze Malick’s film with regard to earlier notions of assimilation and othering. By exploring how earlier notions of assimilation, othering and sentimentalism of the late 19th century are combined with a newly interpreted version of the Pocahontas myth, I will analyze the film’s cultural work in the historical context of its making.
In order to do this, I will rely on concepts linked to historical film, and on a comparative approach that takes earlier representations of Native Americans and specific notions like Social Darwinism into account. As a blind person, I am particularly suited to analyze the sound design, since this is a dimension of film that is often ignored. I will therefore pay close attention to the use of music, and to specific techniques of tone like the use of voice-overs. In order to analyze music, I will concentrate on the used instruments, and on the effect that music creates concerning the atmosphere of the film and the film’s interpretation. By considering how concepts and ideas from the 17th and 19th century survive in contemporary media, I want to analyze what happens to these notions when they are adapted to new forms of media (film), and how these old ideas are adapted to an entirely different situation of the present American society.
Contents
1. Introduction
2. Theory and Method
2.1 Contextual Approach
2.2 Cultural Work (Jane Tompkins)
2.3 Historical Film
2.4 Analytical Categories of Film Analysis
2.4.1 Music and Sound Techniques
2.5 Definitions of Central Terms and Concepts
2.5.1 Sentimentalism and the Cross-Cultural Love Plot
2.5.2 The Cruel Indian and the Noble Savage
2.5.3 Othering and Assimilation
2.5.4 Darwinism and the Doomed Race
3. Representation of Native Americans in American Literature and Art
4. Analysis and Interpretation of The New World
4.1 Native Americans as Noble Savages and Cruel Indians
4.2 Sentimentalism and the Cross-Cultural Love Plot
4.3 Othering and Assimilation
4.4 Social Darwinism and the Doomed Race
4.5 Music as a Means to create Cultural Work
5. Conclusion
6. Sources Cited
- Quote paper
- Isabel Kern (Author), 2016, Pocahontas in Malick's "The New World". A Contextual Analysis, Munich, GRIN Verlag, https://www.grin.com/document/469843
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