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Representations of Femininity and Sexuality in Hip-Hop Music

Title: Representations of Femininity and Sexuality in Hip-Hop Music

Term Paper , 2018 , 22 Pages , Grade: 1,7

Autor:in: Lisa Schreinemacher (Author)

Sociology - Media, Art, Music
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Summary Excerpt Details

A lot of research has been done that examined how Black women are presented in Hip-Hop songs by male artists. Especially rap music received much criticism, because it implied negative representations of women. Yet, how black female MC’s represent themselves is a topic that still needs more investigation. In the rare moments when women take the stage, it is noteworthy to examine the message of their songs. Therefore, this study is concerned with the question, in how far black female rappers make use of their femininity and sexuality from the beginning of Hip-Hop music until today.

Excerpt


Inhaltsverzeichnis (Table of Contents)

  • Introduction
  • Representations of the Black Female Body
  • Usage of Femininity and Sexuality Through the Ages
    • MC Lyte
    • Lil' Kim and Missy Elliott
    • Nicki Minaj and Cardi B
  • Conclusion

Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)

This paper examines how black female rappers utilize their femininity and sexuality in Hip-Hop music from the 1980s to the present day. It aims to analyze representations of the black female body and investigate how female MCs navigate and potentially challenge existing stereotypes through their music. This research builds upon previous studies, particularly Valerie Chepp's work on "Black Feminism and Third-Wave Women's Rap."

  • Historical representation of the black female body
  • The evolution of black female rappers' use of femininity and sexuality
  • Analysis of selected black female MCs, including their musical styles and lyrical content
  • The impact of Hip-Hop music on representations of women, both positive and negative
  • The potential for female rappers to challenge and subvert gender stereotypes

Zusammenfassung der Kapitel (Chapter Summaries)

The first chapter delves into the historical representation of the black female body, tracing the roots of stereotypes from the enslavement of African Americans to the present day. It explores the image of the "promiscuous black woman" and its origins in historical contexts. Chapter three analyzes the music of several black female MCs, beginning with MC Lyte, considered a pioneering figure in the 1980s. Lil' Kim, known for her hypersexualized persona, and Missy Elliott, who presented a desexualized and creative image, are examined in separate subchapters. The chapter concludes with a discussion of contemporary artists Nicki Minaj and Cardi B, exploring their evolving approaches to femininity and sexuality.

Schlüsselwörter (Keywords)

This paper focuses on the themes of femininity, sexuality, and representation within Hip-Hop music, specifically addressing the experiences of black female rappers. It explores the intersection of race, gender, and power dynamics within the genre, highlighting the evolution of these issues through various artists and eras. Key concepts include stereotypes, empowerment, self-expression, and the potential for social and cultural change.

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Details

Title
Representations of Femininity and Sexuality in Hip-Hop Music
College
University of Bonn
Grade
1,7
Author
Lisa Schreinemacher (Author)
Publication Year
2018
Pages
22
Catalog Number
V496141
ISBN (eBook)
9783346001382
ISBN (Book)
9783346001399
Language
English
Tags
Hip Hop music femininity sexuality female male cardi b nicki minaj missy elliott black feminism feminism body
Product Safety
GRIN Publishing GmbH
Quote paper
Lisa Schreinemacher (Author), 2018, Representations of Femininity and Sexuality in Hip-Hop Music, Munich, GRIN Verlag, https://www.grin.com/document/496141
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