Leseprobe
Table of Contents
1. Introduction
2. The Relationship between Fashion, Identity and Gender
2.1. Georg Simmel’s Sociological Theory of Fashion
2.2. Joanne Finkelstein’s The Fashioned Self
2.3. Central Concepts of Gender Theory
2.4. Notions of Creole Identity
3. Analysis of Fashion in Voyage in the Dark, Good Morning, Midnight and Wide Sargasso Sea
3.1. Fashion in the City in Good Morning, Midnight and Voyage in the Dark
3.2. A Surface Life: Consumerism, Commodification and Transformation in Good Morning, Midnight and Voyage in the Dark
3.3. Aspects of Fashionable Performance in Voyage in the Dark and Good Morning, Midnight
3.4. Fashioning the Creole: Race and Identity in Wide Sargasso Sea and Voyage in the Dark
4. Conclusion
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- Josianne Strube (Autor:in), 2018, The Meaning of Fashion in Jean Rhys. An Analysis of Gender and Identity, München, GRIN Verlag, https://www.grin.com/document/515134
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