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Redirecting attention from the author to the foregrounding of language itself, the supporters of Russian Formalism, which began to blossom at the beginning of the 20th century, stressed their concern with the literariness of literature and found a different approach to the ontogeny of literary texts. One of the central tenets of their theory was the assumption that form and content can not be separated in the literary work of art. Regarding previous movements in literary theory, this stance was rather provoking and the growing significance of the theory in the course of time led, inter alia, to a ban on the movement by the Soviet Regime in the 1930’s.
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- Anneke Richter (Autor:in)Victoria Lodge (Autor:in), 2003, The connection of form and content in the literary work of art in Russian Formalism, München, GRIN Verlag, https://www.grin.com/document/51872
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