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From Victorian gender roles towards a new female identity: Feminism in Virginia Woolf’s "To the Lighthouse"

Title: From Victorian gender roles towards a new female identity: Feminism in Virginia Woolf’s "To the Lighthouse"

Term Paper , 2005 , 13 Pages , Grade: 1,3

Autor:in: Tobias Nahrwold (Author)

English Language and Literature Studies - Literature
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Summary Excerpt Details

In my term paper, I will firstly discuss traditional Victorian gender roles. I will begin with a description of Virginia Woolf’s family. Subsequently, Mrs. and Mr. Ramsay's characters are outlined, and I will show that Virginia’s parents served as their archetypes. In the next step I will illustrate that Lily Briscoe, although she wants to dissociate from the Ramsays, tries to come to terms with the family and seeks to take on their positive characteristics. To conclude, I will argue that Virginia’s family resembles the Ramsays very much.
By writing To the Lighthouse, Woolf wanted to liberate herself from the consequences of her mother’s constrictive household 'Angel' role. Woolf needed to understand and respect her mother and her father’s callous behaviour to create a new identity for herself and for every woman of her generation. Arisen from the time of feminist movement, To the Lighthouse can still enlighten psychological processes on the family level in today’s society.

Excerpt


Table of Contents

1. Introduction

2. Traditional Victorian Gender Roles

2.1 The Stephen Family

2.2 The Angel in the House: Mrs. Ramsay

2.3 The Victorian Patriarch: Mr. Ramsay

3. Lily Briscoe: Coming to Terms with Mrs. and Mr. Ramsay

4. Conclusion: Woolf’s Liberation from Her Mother and a New Female Identity

Bibliography

Research Objectives and Themes

This paper explores the transition from traditional Victorian gender roles toward a new female identity in Virginia Woolf's novel To the Lighthouse, focusing on how the author processed her own family history to liberate herself from gender-constricting societal norms.

  • The influence of Victorian patriarchal values on the Stephen family and the fictional Ramsay family.
  • The archetypal "Angel in the House" role embodied by Mrs. Ramsay.
  • The critique of the "Victorian Patriarch" as represented by Mr. Ramsay.
  • Lily Briscoe’s role as an artist mediating between and transcending traditional gender expectations.
  • Woolf’s autobiographical attempt to achieve psychological liberation through literature.

Excerpt from the Book

2.2 The Angel in the House: Mrs. Ramsay

Like the Stephen family the Ramsays are a stereotypic Victorian family. Mrs. Ramsay can be called the Victorian ‘Angel in the House’, a term which dates back to the famous homonymous poem written in 1854 by the Victorian poet Coventry Patmore (cf. Schaffer 2000: 50). As Schaffer summarizes, the “role of the Angel required certain characteristics: a deft ‘woman’s touch’ in the home, a calm unruffled demeanor, personal beauty, and physical fragility, a modest shrinking from public view, and a mute martyrdom, constant self-sacrifice to the greater good of the family” (ibid.).

In Professions for Women Woolf describes the Angel as intensely charming, utterly unselfish and self-sacrificing (cf. Bowlby 1988: 47). Mrs. Ramsay meets all of the above mentioned attributes. She is a beautiful (cf. Woolf 2004: 18, 35, 49) woman supporting traditional gender roles and taking pride in providing her family and her guests an excellent stay at the summer home on the Isle of Skye. Mrs. Ramsay’s main ambition is to protect her youngest son James, her husband and her male guests. She wants to save James’s hope for visiting the lighthouse (cf. ibid.: 5, 31), while her husband and his pupil, Charles Tansley, constantly remark that the weather will not permit going there and, thus, try to destroy James’s optimism and demand a realistic view from the child. Nevertheless, Mrs. Ramsay particularly protects her husband and the other male guests, even Mr. Tansley or the opium addict Augustus Carmichael who ignores her (cf. ibid.: 47-8). Mrs. Ramsay thinks that men shoulder the burden of their work and thus need to be protected and reassured by women.

Summary of Chapters

1. Introduction: This chapter outlines the paper's focus on Virginia Woolf’s family background as a prototype for the characters in To the Lighthouse and sets the goal of exploring the author’s process of overcoming Victorian gender constraints.

2. Traditional Victorian Gender Roles: This chapter examines the historical and social background of the Stephen family and defines the archetypes of the "Angel in the House" and the "Victorian Patriarch" as depicted in the novel.

3. Lily Briscoe: Coming to Terms with Mrs. and Mr. Ramsay: This chapter analyzes how the character Lily Briscoe navigates the rigid gender roles represented by the Ramsays to establish her own path as an artist.

4. Conclusion: Woolf’s Liberation from Her Mother and a New Female Identity: This chapter concludes that Woolf used the act of writing the novel as a therapeutic and feminist tool to distance herself from her parents’ influence and define her own identity.

Keywords

Virginia Woolf, To the Lighthouse, Victorian gender roles, Angel in the House, feminism, female identity, patriarchy, Lily Briscoe, Mrs. Ramsay, Mr. Ramsay, family dynamics, literary criticism, liberation, modernism, autobiographical narrative.

Frequently Asked Questions

What is the central focus of this paper?

The paper examines how Virginia Woolf uses the characters in her novel To the Lighthouse to reflect on Victorian gender roles and her own upbringing, ultimately seeking to liberate herself from traditional societal expectations.

What are the primary themes discussed?

Key themes include the Victorian class and gender system, the "Angel in the House" archetype, the psychological impact of parental figures, the role of the artist in society, and the path to feminist self-emancipation.

What is the main research question of the work?

The study investigates how Woolf transformed her personal experience with family and gender roles into a narrative of liberation, specifically by analyzing the tension between her parents' Victorian ideals and her own developing identity.

Which methodology is employed here?

The author uses a literary analysis approach, drawing upon biographical data of the Stephen family, critical feminist theory, and close readings of Woolf’s To the Lighthouse and her essays such as Professions for Women.

What topics are covered in the main body of the paper?

The body analyzes the Stephen family's influence, the characteristics of Mrs. Ramsay as a domestic ideal, the tyrannical traits of Mr. Ramsay, and the development of Lily Briscoe as a counter-narrative to traditional femininity.

Which keywords best characterize this academic work?

The work is defined by concepts such as feminist literary theory, Victorian gender roles, identity formation, and the psychological intersection of biography and fiction.

How does Lily Briscoe differ from Mrs. Ramsay?

Unlike Mrs. Ramsay, who fulfills the traditional role of a submissive, self-sacrificing wife and mother, Lily Briscoe is an unmarried, professional artist who resists being incorporated into the traditional domestic structure.

Why is the "killing" of the Angel in the House significant for Woolf?

As described in her essay Professions for Women, "killing" the Angel is a metaphorical act of rebellion that allows Woolf to shed the constricting, submissive identity expected of women in her generation and gain the freedom to express her own thoughts and artistic vision.

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Details

Title
From Victorian gender roles towards a new female identity: Feminism in Virginia Woolf’s "To the Lighthouse"
College
Bielefeld University
Course
Modernism
Grade
1,3
Author
Tobias Nahrwold (Author)
Publication Year
2005
Pages
13
Catalog Number
V59554
ISBN (eBook)
9783638534628
ISBN (Book)
9783638843980
Language
English
Tags
Victorian Feminism Virginia Woolf’s Lighthouse Modernism Female Identity
Product Safety
GRIN Publishing GmbH
Quote paper
Tobias Nahrwold (Author), 2005, From Victorian gender roles towards a new female identity: Feminism in Virginia Woolf’s "To the Lighthouse", Munich, GRIN Verlag, https://www.grin.com/document/59554
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