“It was pretty much the blond girl in the alley in the horror movie who keeps getting killed ... I felt bad for her, but she was always much more interesting to me than the other women. She was fun, she had sex, she was vivacious. But then she would get punished for it. Literally, I just had that image, that scene, in my mind, like the trailer for a movie what if the girl goes into that dark alley. And the monster follows her. And she destroys him.”
This quote taken from Joss Whedon, creator and executive producer of the television series Buffy the Vampire Slayer (1997-2003), shows his interest in establishing an absolutely new type of show where a heroine – an apparently average high-school girl – is the focus of the storyline.
Nineteen-year old Buffy Summers (Sarah Michelle Gellar) personifies the Chosen One to save the world from dreadful demons, nasty vampires and other scary supernatural creatures. How Buffy copes with her duty as a Slayer, how she manages to overcome the separations from her two former boy-friends Angel and Riley and how she deals with her capricious teenage sister Dawn – all that can be learned during seasons one through five of Buffy the Vampire Slayer.
This paper, however, focuses on an extraordinary episode in mid-season V called The Body, where we are confronted with an utterly vulnerable protagonist facing death and attempting to come to terms with the result of her mother’s passing away. This paper’s intention is to show how and why Joss Whedon decided to make Buffy‘s mother Joyce die on screen and to explore its significance for the story’s plot. My assumption is that this crucial impact was indispensable for the development of Buffy’s character as well as for her relationship with her younger sister Dawn. As Buffy’s father having deserted the familiy after his divorce from Joyce and taking off to live in Italy, it is Buffy’s duty to take care of her sister and assume full responsibility for her after their mother’s sudden death. That process of maturity leads gradually to the very end of season V where in the final episode The Gift Buffy sacrifices her own life in order to spare Dawn’s.
Inhaltsverzeichnis (Table of Contents)
- Introduction
- Whedon as the feminist Auteur
- Sequence analysis
- Act I
- Act II
- Act II
- Act IV
- Conclusion
- Works cited
Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)
This paper analyzes the episode "The Body" from season five of Buffy the Vampire Slayer, examining how Joss Whedon portrays the death of Buffy's mother, Joyce, and its impact on the story's plot and characters. The analysis aims to understand the significance of this event for Buffy's character development and her relationship with her sister, Dawn.
- The portrayal of death and its impact on Buffy's character arc.
- The exploration of grief and helplessness in the face of death.
- The importance of family and support systems in times of crisis.
- The themes of maturity, responsibility, and the transition to adulthood.
- Joss Whedon's authorial voice and the use of realism in a fantasy setting.
Zusammenfassung der Kapitel (Chapter Summaries)
- Introduction: This chapter provides an overview of the show Buffy the Vampire Slayer and introduces the episode "The Body." It discusses the show's focus on a female protagonist and the challenges she faces in her role as the Slayer.
- Whedon as the feminist Auteur: This chapter explores the role of Joss Whedon as the creator and executive producer of the series. It examines his approach to storytelling and the ways in which his personal experiences influenced his work, particularly in "The Body."
- Sequence analysis: This section analyzes the episode "The Body" by breaking it down into individual acts. It explores the narrative structure, character interactions, and themes that emerge from each act.
Schlüsselwörter (Keywords)
The main keywords and topics explored in this text include: Buffy the Vampire Slayer, Joss Whedon, "The Body," death, grief, realism in fantasy, character development, family dynamics, female protagonist, feminist auteur, auteur theory, and sequence analysis.
- Quote paper
- Julia Koehler (Author), 2007, Realism featured in fantasy series:The portrayal of death, Munich, GRIN Verlag, https://www.grin.com/document/83935
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