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Artist and Audience Relationship in "The Artist is Present" from Marina Abramovic


Term Paper (Advanced seminar), 2019

18 Pages, Grade: 1,0


Excerpt


Table of Contents

1. Introduction

2. Performativity: A definition
2.1. Embodiment
2.2. Presence

3. Marina Abramović

4. The Artist Is Present
4.1 Embodiment and Presence in Abramović’s performance
4.2 Participation and resulting relationship between artist and visitor
4.3 Possible interferences with audience’s participation

5. Conclusion

6. Works Cited

Excerpt out of 18 pages

Details

Title
Artist and Audience Relationship in "The Artist is Present" from Marina Abramovic
College
University of Dusseldorf "Heinrich Heine"  (Anglistik II)
Grade
1,0
Author
Year
2019
Pages
18
Catalog Number
V888888
ISBN (eBook)
9783346222404
ISBN (Book)
9783346222411
Language
English
Keywords
Marina Abramović, The Artist is Present, Participation, Performance, performativity, Fischer-Lichte, Erika Fischer-Lichte, Ästhethik des Performativen, Audience relationship, Drama, Narrativity, Play
Quote paper
Lucy-Melina Laschewski (Author), 2019, Artist and Audience Relationship in "The Artist is Present" from Marina Abramovic, Munich, GRIN Verlag, https://www.grin.com/document/888888

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