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Emoticons as a new means of communication in Italy and Germany

Title: Emoticons as a new means of communication in Italy and Germany

Scientific Essay , 2008 , 15 Pages , Grade: 1,0

Autor:in: Stefan Rosenträger (Author)

Communications - Multimedia, Internet, New Technologies
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Summary Excerpt Details

The main objective of this term paper is to analyse the semiotic function of the emoticons and the way people use them to express their emotions. The special focus will be on the comparison between Germany and Italy. Are the cultural differences between these two countries noticeable even when you look at their use of smileys? How do Italians and Germans handle these semiotic devices? These are some of the questions that shall be analysed in the following.

Excerpt


Table of Contents

I. Introduction

II. What are Emoticons?

II.1. Definition and semiotic classification

II.2. Emoticons in the historic context

III. The speedup of communication channels and the necessity of Emoticons as short means of expression

IV. Use of Emoticons in Germany and Italy

V. Chat language as an own type of language: The linguistic levelling of written and spoken language

VII. Conclusion

VI. Digression: Chatiquette - rules for the right communication behaviour on the internet

Research Objectives and Core Themes

The primary objective of this work is to analyze the semiotic function of emoticons and how individuals utilize them to convey emotions within digital communication, with a specific comparative focus on Germany and Italy to identify potential cultural differences. Furthermore, the paper investigates the historical evolution of symbolic text-based expressions to demonstrate that they are not a strictly modern phenomenon.

  • Semiotic classification and function of emoticons and smileys
  • Historical context of non-verbal expressions in written language
  • Comparative analysis of emoticon usage between Germany and Italy
  • Development of "chat language" and linguistic leveling
  • Internet etiquette (Chatiquette) in digital interaction

Excerpt from the Book

II.2. Emoticons in the historic context

Emoticons and smileys are not an invention of the 20th century as one could assume at first. The “Möglichkeiten der sekundären Motivierung typographischer Zeichen“ have a „Tradition, die weit zurückreicht in vor-elektronische Zeiten [...]“. Writers like Gerhart Hauptmann or Arno Holz tried to imitate the phenomenon of every day conversations „sekundenstilistisch“ by using “Punktsequenzen als Zeichen für Sprechpausen [...] Vokalverdoppelungen als Zeichen für Chroneme (Indikatoren der artikulatorischen Dehnung) oder doppelte Fragezeichen und Gedankenstriche zur Indikation des Tonhöhenverlaufes (Toneme)”. In the literature one can find a lot of so-called „Graphäestheme“, „von der mittelalterlichen Initialornamentik bis zu den Figurengedichten des Barock, vom tropfenden Wasserhahn bei Holz und Schlaf bis zu Morgensterns Fisch-Gedichten [...]”.

In April 1857, still long before the establishment of the internet, the “National Telegraphic Review and Operators Guide documented the use of the number 73 in Morse code to express ‘love and kisses’”. The first “typographical emoticons were published in 1881 by the U.S. satirical magazine Puck”.

The mother-of-all smiley, a “yellow button with two black dots representing eyes and an upturned thick curve representing a mouth”, was born in 1963. The artist Harvey Ball from Worcester, Massachusetts, designed the face by order of the “State Mutual Life Assurance Company to design a logo that would uplift its employees after a company merger had hurt company morale”. It was part of a “’friendship campaign’ that the company came up with to encourage employees to smile as they went about their work or interacted with customers”. This short anecdote shows the impact of emoticons expressing emotions in a non-verbal way outside of chat communication.

Summary of Chapters

I. Introduction: Outlines the research objective of analyzing the semiotic function of emoticons and introduces the comparative framework between Germany and Italy.

II. What are Emoticons?: Defines emoticons and provides a semiotic classification, contrasting them with smileys and exploring their historical origins.

III. The speedup of communication channels and the necessity of Emoticons as short means of expression: Examines how the internet has accelerated communication and forced written language to adapt by incorporating non-verbal elements.

IV. Use of Emoticons in Germany and Italy: Presents the findings of a survey regarding the varying communication behaviors and cultural differences between German and Italian internet users.

V. Chat language as an own type of language: The linguistic levelling of written and spoken language: Discusses the emergence of a specialized chat language characterized by abbreviations and a shift toward colloquial written style.

VII. Conclusion: Summarizes how emoticons improve interpersonal communication while acknowledging the risks of creating exclusive, jargon-heavy communication circles.

VI. Digression: Chatiquette - rules for the right communication behaviour on the internet: Offers an overview of unspoken social rules and netiquette necessary for effective and polite internet interaction.

Keywords

Emoticons, Smileys, Semiotics, Digital Communication, Germany, Italy, Chat Language, Linguistic Levelling, Chatiquette, Internet Culture, Non-verbal communication, ASCII, Cultural differences, History of signs, Social interaction.

Frequently Asked Questions

What is the core focus of this research paper?

The paper examines the semiotic role of emoticons as a means of expressing emotions in digital environments, exploring how they function as substitutes for non-verbal cues.

What are the primary themes covered in the study?

The themes include the historical background of symbolic writing, the semiotic classification of emoticons, a comparative study of their usage in Germany and Italy, and the emergence of chat language.

What is the central research question?

The research asks if cultural differences between Germany and Italy are reflected in how users handle these semiotic devices and what function they serve in digital communication.

Which scientific methodology was employed?

The author utilized a combination of literature analysis regarding semiotics and a survey (data collection) conducted among participants in German and Italian bulletin boards.

What does the main body of the work cover?

The main body covers the definitions of signs (Peirce’s model), the historical context of typographical expression, the linguistic adaptation of written language to real-time interaction, and an analysis of survey data.

Which keywords define this work?

Key terms include Emoticons, Semiotics, Chat Language, Cultural Comparison, and Digital Communication.

How do German and Italian users differ in their emoticon usage according to the study?

The study found that German users rely more on smileys to avoid ambiguity and irony-related misinterpretations, whereas Italian users show different distribution patterns and accessory behaviors in surveys.

What is "Chatiquette" and why is it included?

Chatiquette refers to the unspoken social rules of online interaction, included as a digression to provide context on how digital behavior is moderated.

What did the author conclude about chat language?

The author concludes that while chat language is highly dynamic and efficient, its excessive reliance on abbreviations and codification may exclude those who are not well-versed in the "insider" lexicon.

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Details

Title
Emoticons as a new means of communication in Italy and Germany
College
University of Bologna  (Discipline della Comunicazione)
Course
Semiotica dei nuovi media
Grade
1,0
Author
Stefan Rosenträger (Author)
Publication Year
2008
Pages
15
Catalog Number
V91044
ISBN (eBook)
9783638042918
ISBN (Book)
9783638941440
Language
English
Tags
Emoticons Italy Germany Semiotica
Product Safety
GRIN Publishing GmbH
Quote paper
Stefan Rosenträger (Author), 2008, Emoticons as a new means of communication in Italy and Germany, Munich, GRIN Verlag, https://www.grin.com/document/91044
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