Leseprobe
Inhalt
1. INTRODUCTION
1.1 CRYPTOGRAPHY
1.2 TYPES OF CRYPTOGRAPHY
1.2.1 SYMMETRIC KEY
1.2.2 ASYMMETRIC KEY
1.2.3 HASH FUNCTIONS
1.3 MUSICAL CRYPTOGRAPHY
1.4 HINDUSTANI MUSIC
2. LITERATURE SURVEY
3. RAGAS
3.1 AAROH & AVROH
3.2 VADI & SAMVADI
3.3 DEERGHA & ALPA NOTES
3.4 NOTES
3.5 WESTERN MUSIC NOTES
3.6 RAAG BHEEMPALASI
3.7 RAGA BAGESHREE
3.8 RAGA MALKAUNS
3.9 RAGA YAMAN
4. METHODOLOGY
4.1 SEMI-NATURAL COMPOSITION
4.2 MARKOV CHAIN
4.3 TRANSITION PROBABILITY MATRIX (TPM)
4.4 SEMI-NATURAL COMPOSITION ALGORITHM (SNCA)
4.5 BAGESHREE RAGA
4.6 ENCRYPTION
4.7 BHEEMPALASI RAGA
5. ANALYSIS OF RAGA
5.1 EMPIRICAL ANALYSIS
5.1.1 BAGESHREE RAGA
5.1.2 BHEEMPALASI RAGA
5.1.3 MALKAUNS RAGA
6. IMPLEMENTATION AND RESULTS
6.1 THEORETICAL ANALYSIS
6.2 EMPIRICAL ANALYSIS
6.3 EXPERIMENTAL RESULTS
7. CONCLUSION
BIBLIOGRAPHY
APPENDIX
- Arbeit zitieren
- Shailly Ranjan (Autor:in)Dr. Soubhik Chakraborty (Autor:in)Sandip Dutta (Autor:in), 2020, Musical Cryptography. Empirical Analysis of Algorithms, München, GRIN Verlag, https://www.grin.com/document/939103
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