The Preternatural in the Works of Mike Mignola. Semiotic Frames, Literary Functions and Pop Cultural Context


Scientific Essay, 2013

29 Pages


Excerpt


Contents

Abstract:

1 Introduction

2 Narrative Settings and Pop-Cultural Environment

3 Types of the Preternatural in Hellboy and Lobster Johnson
3.1 Fusing Christian Semiotics and the Superhero Tradition
3.1.1 “It is for freedom that Christ has set us free”
3.1.2 Liminal Characteristics and the Preternatural
3.2 Retrofuturist Combinations of Secret History and Modern Age Mysticism
3.3 Paranormal Phenomena and Abilities

4 Framing Mythologies in a Cosmological Meta-Plot
4.1 Inter-textual Reconciliation of Mythologies
4.2 Biblical Aniconism in the Hellboy Narratives’ Worldview

5 Depicting the Multitude of the Preternatural in a Transmodernist Approach

6 Conclusion

Bibliography

Excerpt out of 29 pages

Details

Title
The Preternatural in the Works of Mike Mignola. Semiotic Frames, Literary Functions and Pop Cultural Context
College
University of Erfurt  (Max-Weber-Kolleg)
Author
Year
2013
Pages
29
Catalog Number
V984126
ISBN (eBook)
9783346341273
ISBN (Book)
9783346341280
Language
English
Keywords
comics, popular culture, mysticism, mythology, metaphysics, transmodernism, religion, graphic novels, mike mignola, cinema, hellboy, horror, fantasy, conan, solomon kane, b-movies, pulp fiction, light fiction
Quote paper
Dr. Jan Leichsenring (Author), 2013, The Preternatural in the Works of Mike Mignola. Semiotic Frames, Literary Functions and Pop Cultural Context, Munich, GRIN Verlag, https://www.grin.com/document/984126

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