Using the theory of remix with particular emphasis on the selective remix, this paper re-evaluates the concept of celebration in the Nigerian culture using the music, Osondi Owendi, originally sung by Osita Osadebe and remixed by Chinedu Okoli, (flavour).
Findings from the evaluation show that the concept of celebration amongst individuals in the society largely depends on choice as against the popular notion which has it that the life of the African is that of perpetual celebration. This lies in the fact that the motivation to celebrate in recent times is affected by occurrences in the society which are sometimes negative. Moreover, the choice to perpetually celebrate is made depending on life situations.
Thus, just like the western society, choice is also a value that should be respected and upheld. In view of the above, this paper recommends that the concept of choice should be highlighted as an important value. Again, considering the changing nature of the society, more modern artistes should adopt the indigenous forms of music and further use it to communicate the values that the Nigerian society hold in high esteem.
Inhaltsverzeichnis (Table of Contents)
- Introduction
- The Concept of Celebration in Africa: Music as an Ornament
- The Influence of Indigenous African Music on the African Modern Music: The Case of Highlife
- The Theory of Selective Remix
- Methodology
- An Explication of Osondi Owendi by Osita Osadebe and Flavour feat MC Loph
- The Value of Choice
- Conclusion
Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)
This paper examines the concept of celebration in Nigerian culture through a critical analysis of the song "Osondi Owendi," originally by Osita Osadebe and remixed by Chinedu Okoli (Flavour). It utilizes the theory of selective remix to explore how celebration is influenced by societal changes and personal choice.
- Celebration in Nigerian culture
- The role of music in cultural expression
- The influence of indigenous music on modern music
- The theory of remix and its application to cultural analysis
- The value of choice in contemporary society
Zusammenfassung der Kapitel (Chapter Summaries)
- Introduction: The introduction establishes the importance of music in Nigerian culture, highlighting its role in cultural identity and communication. It also discusses the impact of modernization on indigenous music.
- The Concept of Celebration in Africa: Music as an Ornament: This section explores the significance of celebration in African cultures, particularly in Nigeria, focusing on the role of music as a vital component of these celebrations.
- The Influence of Indigenous African Music on the African Modern Music: The Case of Highlife: This chapter delves into the relationship between indigenous African music and modern musical trends, using highlife as a case study to illustrate the impact of globalization on music.
- The Theory of Selective Remix: This section introduces the theory of selective remix as a framework for analyzing the adaptation and transformation of cultural elements, specifically focusing on the song "Osondi Owendi."
- Methodology: This chapter outlines the research methodology employed in the study, explaining the approach taken to analyze "Osondi Owendi."
- An Explication of Osondi Owendi by Osita Osadebe and Flavour feat MC Loph: This section provides a detailed analysis of the song "Osondi Owendi" in both its original and remixed versions, examining the themes and messages conveyed through the lyrics and music.
- The Value of Choice: This chapter explores the concept of choice as a critical value in contemporary Nigerian society, arguing that the decision to celebrate or not is increasingly influenced by individual circumstances and personal preferences.
Schlüsselwörter (Keywords)
This paper focuses on key concepts such as Nigerian culture, music, celebration, choice, remix, indigenous music, modern music, highlife, and societal values. The study draws on theories of remix, cultural expression, and the influence of globalization on music.
- Quote paper
- Ihuoma Okorie (Author), 2022, Celebration as a Choice in Nigerian Indigenous and Modern Music, Munich, GRIN Verlag, https://www.grin.com/document/1248218