Teaching Project: Lois Lowry (1993) "The Giver"

Presentation (Elaboration), 2008

9 Pages, Grade: 2,5



1. Synopsis

2. General outline

3. Literary approach

4. Routines

5. Lesson plans

6. Sources

Internet sources

1. Synopsis

„The Giver“ by Lois Lowry was published in 1993, immediately winning the John Newbery Medal award for excellence in children’s literature.

The story takes place in an utopian world. The main character, a twelve-year old boy named Jonas, lives together with his sister Lilly and his parents. However, his parents are not his biological parents as they were chosen by the community to take care of Jonas. Together with his friends Asher and Fiona, Jonas waits for the ceremony of twelve in which every child of that age gets a “job” for his future life. The characters of the novel have no own voice or possibility to design their future - the community predefines their lives.

In the ceremony, Jonas is chosen to be the new “Receiver of Memory”.

Jonas doesn’t know what lies ahead of him and soon, he meets an old wise man, the so-called “Giver of Memory”. The Giver trains Jonas in a certain way: He is the only person in the community who can experience real feelings. By transmitting his knowledge mentally to Jonas, the Giver loses the feelings himself. Jonas does not only experience feelings but also specific things, which aren’t present in this world: His first experience is to be sitting on a moving sledge. He likes this memory, not knowing that there are also bad, painful memories to come. His first painful memory is a sunburn. There are also no colours in this novel’s world of sameness. Not surprisingly, it’s Jonas, who gets the memory of colours from the Giver.

Jonas still lives at home with his parents, of course, he is not allowed to speak about his experiences with them. The family now has a new member, a new child called Gabriel.
One day, the Giver offers Jonas to have a look at the so-called release of a new child: Jonas agrees and sees his father with a syringe, killing (or in the novel: releasing) a new child.

Now, Jonas knows the worst secret of the world in which he lives in. When he hears that his little brother Gabriel is about to get released because of insomnia (=sleeplessness), Jonas decides to take over responsibility. He is willing to escape from the community. The Giver explains that a long time ago, everyone had feelings, good and bad ones. He is sure, that, if Jonas can escape from the community, everyone will get back these feelings. Jonas writes a letter to his parents, that he will be back until the next ceremony. He escapes from the world with his little brother to save Gabriel’s life. On his way, planes search for him and Gabriel only stops crying when Jonas transmits a nice memory to Gabriel. After a while, Jonas starts to get unsure, whether his decision was correct, but he keeps on escaping until he reaches the top of a hill. Suddenly he hears people singing and he sees lights and colours.

2. General outline

We have decided upon the reading of “The Giver” by Lois Lowry, first published in April of 1993, since we firmly believe in its appropriate applicability in the English Foreign Language Classroom. Due to a lack of experience as teachers, we were not entirely sure about the grade, yet eventually chose to discuss the book in a 9th grade of Realschule. The choice of grade depends both on the language level of the literary source and the content it deals with.

Our very own experiences at school taught us that the language level of books is usually way too high for the class’ majority, thus we excluded the type of school called Hauptschule immediately. As there can be found a logical and not too difficult sentence structure throughout the novel, we considered “The Giver” as a suitable challenge for students of Realschule. It’s our task as teachers neither to overburden nor to underchallenge students, but to challenge them pertinently. Our groups deems 9th graders of aforesaid type of school capable of dealing with the language used. It goes without saying that there’ll be students who may have problems every now and then, but there’s no need to grasp the meaning of each and every sentence. Rather is it essential to convey the overall message with the help of regular class discussions and consistent reading tasks.

Concerning the content, the literary category is pretty evident: modern fantasy. All of our group members being enrolled in the subject German as well, we learned about the use of fantasy literature a lot for German lessons. For sure, it can be applied in English as well. Moreover, the preferential age group is independent from the language. According to current pedagogic and didactic literature, fantasy novels seem to be fit for students of 9th grade. There’s merely one problematic issue about fantasy literature. Most boys do absolutely love them and are quite logically very eager to read them, no matter which language is applied. However, the reading must be chosen very cautiously due to girls’ first aversion towards fantasy literature. Above all do they usually dislike literature that deals with shooting in the universe and outer space topics in general. Here’s the ace in the hole of Lowry’s fantasy novel. Even though having its setting in a futuristic and superficial utopian society, its main message mediates the need for more emotional depth in communities and societies – criticizing lambency over all. Especially girls are very sensitive about such issues and can thus easily be persuaded by the book. Hence we think there’s only a small peril within a 9th grade to have students who entirely refuse to engage in the reading.

On the whole, the plot is enunciated on a comprehensible level and the language is written in such a way that it can be grasped in the majority of cases. Basically, the novel is intended to be read individually most of the time, even though we find it fundamental to offer class reading on scheduled time segments.

With reference to the curriculum that came into force in 2004, there are some aspects to be emphasized:[1]

Students can absorb fictional texts of intermediate level of difficulty by reading; they can make the content accessible and understand the context (p. 80)

Students can reproduce, circumscribe, structure, investigate and work on the text’s gist (p. 80)

Students can communicate age-appropriate on the following topics: society; societal change; societal problems; youth and youth culture (p. 80)

Students can work with a bilingual dictionary (p. 81)

Document and present data and facts with traditional and modern media of presentation (p. 81)

3. Literary approach

Literature today is supposed to concentrate on history and characteristics of literary movements, as well as on a text’s social, historical or political background. Moreover, information on the author and the period of time it was written are relevant. Such aspects might help to enhance the understanding as a whole. In advance, a teacher is always anxious about whether the learners are interested in the content of the literary source and whether they dispose of the required language skills.

There are currently three major literary approaches under implementation. The cultural approach was at once ruled out by us since we considered it understandably inept for our procedural method. To tell the truth, we had some problems to match our teaching ideas with a corresponding literary approach. For this reason, we decided on a mixture of the personal and language-based approach. Both of them contain precious perceptions, as we would like to demonstrate:

illustration not visible in this excerpt

Overall teaching objective: engage students personally; thus cause them to read for pleasure and personal fulfillment


Reading as an individual experience


Development of critical abilites (àpersonal growth)

Literary text as a resource

Enjoyable reading (appreciate literature)

Generate language skills

- Criticism:

No real possibility to assess students’ learning process

Stylistic are neglected

illustration not visible in this excerpt

4. Routines

We did explicitly not mention the daily routines the students are confronted with while working with the text in our lesson plans.

There’ll be enough time spent during every lesson to resolve vocabulary which is essential and hard to look up for students at home. Yet, it is important to have students take over responsibility for vocabulary by either learning all words obstinately and without any carelessness or by looking up unfamiliar terms in a monolingual dictionary – a bilingual one would be even better, but it falls short of the purpose in 9th grade of Realschule. Either way develops methodological competences within each students – one out of four areas of competence in the Bildungsplan 2004 in Baden-Württemberg.

Besides, every chapter must be summarized briefly while or after reading it. Students have to draw such a pattern and complete it continuously during their course of reading (no more than five sentences per box!):


[1] Kultus und Unterricht – Bildungsplan für die Realschule, 2004. Lehrplanheft 1/2004. Villingen-Schwenningen: Neckar-Verlag, pp. 80-81.

Excerpt out of 9 pages


Teaching Project: Lois Lowry (1993) "The Giver"
University of Education Weingarten
Teaching Contemporary Literature
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ISBN (eBook)
ISBN (Book)
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Unterrichtsentwurf, Englisch, Lehramt, Projekt, Literatur im Englischunterricht, offener Unterricht, The Giver, Lois Lowry
Quote paper
Johannes Vees (Author)Michael Bruder (Author)Andreas Jaksch (Author), 2008, Teaching Project: Lois Lowry (1993) "The Giver", Munich, GRIN Verlag, https://www.grin.com/document/139860


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