Excerpt from the Introduction:
Before defining the phenomenon of passing in its social, cultural, and historical backgrounds and origins, motives and appearances in former and present times of American society, and, specifically, analysing its representation in literature, it might be fruitful to have a look at the genesis of the Afro American novel throughout the last two centuries.(...)
The main challenge of the African American author can be illustrated as a kind of ridge walk between, on the one hand, assimilation as a means of improving career prospects and social recognition, and, on the other hand, documenting the historical and socio-cultural facts of the struggles of their social group such as the ambiguities of crossing the color line in the form of the act of passing for white. This aspect of intra-racial conflict between individual success, and the moral of earnestness and showing loyalty to one’s black fellows is only one aspect to be dealt with in this thesis.(...)The loss of (cultural) individuality and physical consciousness (...)has played a central role in Afro American literature and can be seen as one of the driving forces encouraging the Harlem Renaissance movement of the 1920s and 30s in trying to establish and celebrate the cultural identity of African Americans (Göbel 2001). (...)
The aim of this paper will be, firstly, to describe the main conflicts of African American history and culture. Secondly, it will point to the impacts resulting from these struggles before. In a third step, the act of passing as a means to fight these struggles will be closely examined in its origin and multiple ways of happening, in context with cultural processes within American society as well as its representation in literature, mainly the Afro American novel. The main part will be the study of two selective novels by the two authors listed in the title of this paper, James Weldon Johnson (The Autobiography of an Ex-Coloured Man, 1912), and Nella Larsen (Passing, 1929), for several reasons. Considering the time in which their literary works gained literary reputation it can be argued that they both belong to the main advocates of the Harlem Renaissance. Moreover, the two novels under scrutiny here can be considered two of the most relevant “passing novels”, which found in the topic of passing one of their most significant theoretical inputs as well as expressive outputs in the history of this sub-genre of Afro American literature.
Table of Contents
1. Introduction: The Establishment of the Topic of “Passing” in Afro-American Literature
1.1 Introducing the “Color Line”: Race and Identity in Afro-American Literature
2. Historical Context: The Roots of the Socio-Cultural Phenomenon of “Passing”
2.1 The Mixing of the Races or the “Evolution” of the Mulatto
2.1.2 Miscegenation
2.1.2.1 The One-drop rule
2.1.2.2 Anti-Miscegenation Laws
3. (Practical) Context of “Passing”: How the Term Came Up
3.1 A Definition of “Passing” and its Development
3.2 Establishing a New Literary Genre: The “Passing” Novel
4. Social and Cultural Contexts
4.1 Social, Cultural, and Economic Motives of “Passing for White”
4.2 Benefits vs. Fallbacks of Passing: Controversial Views of “Passing” and its Significance for Authenticity and Pride in Afro-American Culture
4.3 The Conflict of Not Knowing Where to Belong to: Double Consciousness, Lack of Identity, and Passing on a “Passing Identity”
5. “Passing” Novels: A Study of N. Larsen and J. W. Johnson
5.1 Analysis of J. W. Johnson’s “The Autobiography of an Ex-Colored Man” (1912)
5.2 Analysis of N. Larsen’s “Passing” (1929)
6. The Cultural Phenomena of “Passing” and its Literary Representation since the Harlem Renaissance
Objectives and Topics
This work explores the socio-cultural and historical phenomenon of "passing" in African American society, specifically analyzing how it is represented in the Afro-American novel. The primary research goal is to investigate the motivations behind crossing racial boundaries and the resulting conflicts of identity, double consciousness, and cultural belonging, with a focus on James Weldon Johnson's "The Autobiography of an Ex-Coloured Man" and Nella Larsen's "Passing."
- Historical and socio-cultural foundations of the "color line" and the one-drop rule in the United States.
- The evolution of the "passing" novel as a distinct literary genre during the Harlem Renaissance.
- Comparative analysis of social, economic, and psychological motivations for racial passing.
- The dichotomy between individualistic desire for success and the collective need for racial solidarity.
- Examination of narrative techniques, such as unreliability and foreshadowing, in representing complex identity struggles.
Excerpt from the Book
I know that in writing the following pages I am divulging the great secret of my life, the secret which for some years I have guarded far more carefully than any other of my earthly possessions; and it is a curious study to me to analyse the motives which prompt me to do it. I feel that I am led by the same impulse which forces the un-found-out criminal to take somebody into his confidence, although he knows that the act is likely, even most certain, to lead to his undoing. I know that I am playing with fire, and I feel the thrill which accompanies the most fascinating pastime; and, back of it all, I think I find a sort of savage and diabolical desire to gather up all the little tragedies of my life, and turn them into a practical joke on society. And, too, I suffer a vague feeling of unsatisfaction, of regret, of almost remorse, from which I am seeking relief, and of which I shall speak in the last paragraph of this account.
Summary of Chapters
1. Introduction: The Establishment of the Topic of “Passing” in Afro-American Literature: This chapter introduces the phenomenon of passing within its historical and literary context, emphasizing the significance of the Harlem Renaissance in the development of the Afro-American novel.
1.1 Introducing the “Color Line”: Race and Identity in Afro-American Literature: This section examines the concept of the "color line" and the implementation of anti-miscegenation laws that defined racial boundaries in post-Reconstruction America.
2. Historical Context: The Roots of the Socio-Cultural Phenomenon of “Passing”: This chapter traces the origins of passing to the systemic racial prejudices of the "Jim Crow" era and the social complexities surrounding the mulatto identity.
2.1 The Mixing of the Races or the “Evolution” of the Mulatto: This section analyzes the contradictory societal perception of the mulatto figure, who was viewed simultaneously as a product and a refutation of white supremacist ideology.
2.1.2 Miscegenation: This chapter addresses the social and legal implications of sexual contact between races, highlighting how it challenged the binary division of American culture.
2.1.2.1 The One-drop rule: This part explores the "one-drop rule" as a social and legal construct used to enforce racial hierarchies and maintain white supremacy.
2.1.2.2 Anti-Miscegenation Laws: This section questions the legitimacy and effectiveness of laws that sought to criminalize interracial marriage, framing them as instruments of social control.
3. (Practical) Context of “Passing”: How the Term Came Up: This chapter contextualizes the terminology of "passing" and its development as a concept reflecting the discrepancy between legal and societal racial categorizations.
3.1 A Definition of “Passing” and its Development: This section defines passing as a fluid notion of transition and outlines its prevalence between 1880 and 1925.
3.2 Establishing a New Literary Genre: The “Passing” Novel: This chapter identifies the thematic and stylistic elements of early passing novels, such as the use of mystery and satire to critique racial logic.
4. Social and Cultural Contexts: This chapter explores the multi-faceted reasons why individuals of African American heritage chose to pass for white, despite the social and psychological costs.
4.1 Social, Cultural, and Economic Motives of “Passing for White”: This section details the economic disparities and social barriers that impelled many to seek the advantages of white status.
4.2 Benefits vs. Fallbacks of Passing: Controversial Views of “Passing” and its Significance for Authenticity and Pride in Afro-American Culture: This chapter discusses the internal and external conflicts regarding racial loyalty and the sacrifice of personal history.
4.3 The Conflict of Not Knowing Where to Belong to: Double Consciousness, Lack of Identity, and Passing on a “Passing Identity”: This section examines the psychological impact of double consciousness and the struggle for a stable identity among mixed-race individuals.
5. “Passing” Novels: A Study of N. Larsen and J. W. Johnson: This chapter introduces the comparative study of the primary literary works, focusing on their thematic contributions to the genre.
5.1 Analysis of J. W. Johnson’s “The Autobiography of an Ex-Colored Man” (1912): This section provides a detailed literary analysis of Johnson’s novel, specifically its use of the first-person narrator to address identity ambiguity.
5.2 Analysis of N. Larsen’s “Passing” (1929): This section analyzes Larsen’s novel, highlighting the role of the unreliable narrator and the deconstructive nature of the text.
6. The Cultural Phenomena of “Passing” and its Literary Representation since the Harlem Renaissance: This final chapter synthesizes findings and considers the lasting impact and contemporary relevance of passing narratives in modern literature.
Keywords
Passing, Harlem Renaissance, Color Line, One-Drop Rule, Miscegenation, African American Literature, Racial Identity, Double Consciousness, Mulatto, Social Stratification, Individualism, Nella Larsen, James Weldon Johnson, Racial Masquerade, Jim Crow America
Frequently Asked Questions
What is the primary focus of this academic work?
The work investigates the socio-historical phenomenon of racial passing in the United States, analyzing how it has been represented in African American literature, particularly through the lens of identity politics and social survival strategies.
Which novels are central to the analysis?
The core of the study is a comparative literary analysis of James Weldon Johnson’s "The Autobiography of an Ex-Coloured Man" and Nella Larsen’s "Passing."
What is the central research question?
The research explores the motivations and consequences of crossing racial lines, examining how the act of passing serves as both a critique of and a response to the "color line" and white supremacist social structures.
What scientific methods are applied?
The author utilizes literary theory and historical research to perform a text-based analysis of the primary novels, incorporating concepts like "double consciousness" and intertextuality to interpret narrative strategies and character motivations.
What topics are covered in the main section of the book?
The main chapters cover historical context, including miscegenation laws and the one-drop rule, social and economic motivations for passing, and the psychological conflict of identity construction within a racially binary society.
Which keywords characterize the work?
Key terms include passing, Harlem Renaissance, color line, one-drop rule, identity, double consciousness, and racial masquerade.
How does the author define the "passing" novel as a genre?
The author defines it as a literary genre that uses the instability of racial categories to explore themes of social mobility, betrayal, and the performative nature of identity.
What role does the unreliable narrator play in the novels discussed?
In both Johnson’s and Larsen’s works, the narrator’s unreliability serves to underscore the ambiguity of the protagonist's identity and their shifting loyalty between black and white cultures.
How does the book address the transition from temporary to permanent passing?
The study highlights how passing often begins as a temporary survival strategy for social or economic reasons, but can result in an irrevocable, permanent transformation of the individual's social identity.
What does the author conclude about the "passing" phenomenon?
The author concludes that passing remains a "continual motion" that reveals the arbitrary and constructed nature of racial identity in America, while still presenting significant emotional and existential challenges for the individuals involved.
- Quote paper
- M.A of Education Robert Wetzorke (Author), 2008, Passing and the Problem of Identity in Afro-American Literature, Munich, GRIN Verlag, https://www.grin.com/document/140496
