Der Amerikanische Traum ist in Hunter S. Thompsons Texten ein ständig wiederkehrendes Motiv. Auf der Suche nach dem Traum, war es dem Gonzo-Journalisten nicht genug, die Lage der amerikanischen Nation gegen Ende der 60er Jahre bloß zu schildern, sondern sie zu erleben, um dann keine objektive Wahrheit, sondern seine subjektive Sicht der Dinge niederzuschreiben. Seine Beschreibungen der amerikanischen Nation und deren Traum in seinen Werken Angst und Schrecken in Las Vegas und Angst und Schrecken: Im Wahlkampf ′72 sind kaum positiv. Im Gegenteil. Er verweist sogar auf den Tod des Amerikanischen Traumes und den Verfall Amerikas.
Der Traum erscheint ihm in vielerlei Gestalt: in Symbolen, wie zum Beispiel der von Geld und Einfluss regierten Stadt Las Vegas, die Thompsons Alter Ego Raoul Duke als Nervenzentrum des Traums identifiziert; Seine Protagonisten durchleuchten die traditionellen Werte der Gesellschaft und müssen feststellen, dass sie sich bei näherem Betrachten als Heuchelei erweisen - als Mythos, wie eben der Amerikanische Traum selbst.
Der Reporter, der auf Grund seines einzigartigen Schreibstils oft als Stiefkind der New Journalists oder gesetzloser Journalist (Outlaw Journalist) bezeichnet wurde, wird von der Angst - der Angst vor dem Untergang alles Guten für das Amerika seiner Meinung nach einmal eingetreten ist - übermannt. In seinen von Halluzinogenen eingefärbten Charakterisierungen entlarvt er die Gesellschaft als korrupt, oberflächlich und gierig. Versteckt hinter dem nationalen Moralkodex und unter dem Vorwand den Amerikanischen Traum zu suchen, erlauben seine Mitmenschen sich dem Journalisten der Freiheit zu berauben, und somit seinen persönlichen Traum zu zerstören. Jedoch nimmt Thompson nicht die Rolle des Moralapostels ein, sondern beweist immer wieder seine Mitschuld an den erschreckenden Zuständen im Amerika der frühen 70er Jahre. Angesichts dessen erfassen den Reporter Angst und Schrecken, die ihn dazu bringen seinen Mitmenschen Streiche zu spielen, Lügen aufzutischen und der Realität mit einer Prise schwarzen Humors ins Auge zu sehen. Aus Frustration mit der Situation verwandelt er den Präsidenten, Polizisten, Politiker und sogar seine Kollegen im Journalismus in Raubtiere, die nach seinem Blut lechzen.
Table of Contents
- 1. Introduction
- 1.1 Turn on, Tune in, Drop out – the American 1960s and its Counterculture
- 1.2 What is so New about New Journalism?
- 1.3 Pure Gonzo Journalism?
- 1.4 Thompson's Fear and Loathing
- 1.5 Outlawed
- 1.6 Fear and Loathing versus Fear and Loathing
- 2. The Heart of the American Dream
- 2.1 Take this White Cadillac and Go Find the American Dream
- 2.2 New Beginnings
- 2.3 The American Frontier and its Dream
- 2.4 Live, Liberty and the Pursuit of Happiness
- 2.5 The Dream of Social Mobility
- 2.6 I'm Bad but I Don't Care, Boys, Gonna Be a Millionaire
- 2.7 Transcending the American Dream
- 3. Symbolic Landscapes
- 3.1.1 Roll the Dice and Never Think Twice
- 3.2 Primitive Christian Instincts
- 3.3 The Fear of Being Caught
- 3.4 Pranks & Revulsion
- 3.5 This is a Mad Society
- 3.5.1 They hate Us - We hate Them!
- 4. A Schizophrenic Society
- 4.1 Countercultural Idealism Betrayed
- 4.2 Violent Realities
- 4.2.1 Political Animals
- 4.2.2 He who Makes a Beast of Himself, Gets Rid of the Pain of Being a Man
Objectives and Key Themes
This thesis examines Hunter S. Thompson's life and work within the context of the American Dream. The primary objective is to analyze how Thompson's unique brand of Gonzo journalism reflects and critiques the ideals and realities of American society, particularly during the turbulent 1960s and beyond. * The evolution and disillusionment of the American Dream. * The role of counterculture in shaping Thompson's worldview and writing. * The stylistic innovations and impact of Gonzo journalism. * Thompson's complex relationship with violence, excess, and societal norms. * The exploration of American identity and its contradictions.Chapter Summaries
1. Introduction: This introductory chapter sets the stage for the thesis, exploring the paradoxical nature of Hunter S. Thompson's public persona – simultaneously loved and loathed. It introduces the historical context of the 1960s counterculture and its influence on Thompson's development as a writer, followed by a discussion of the emergence and characteristics of New Journalism, leading to a deep dive into the defining features of Thompson's unique style, known as Gonzo journalism. The chapter establishes the groundwork for understanding Thompson's critical perspective on the American Dream and how it manifests in his writing.
2. The Heart of the American Dream: This chapter delves into the core tenets of the American Dream, tracing its historical evolution from the frontier myth to the pursuit of social mobility and material success. It explores the various promises and pitfalls of this idealized vision, using Thompson's life and writings as a lens to examine its promises and disillusionments. The chapter also investigates the complexities and contradictions inherent in the American Dream, challenging the simplistic narrative often associated with it, thereby laying the groundwork for a more nuanced understanding of Thompson’s critique.
3. Symbolic Landscapes: This chapter analyzes the recurring symbolic landscapes present in Thompson's work, using them as metaphors to represent the decay and chaos of American society. It explores the author's use of vivid imagery and symbolic representation to depict the anxieties and contradictions of the American experience. The section examines themes of risk-taking, the clash between primitive instincts and societal expectations, and the pervasive sense of paranoia and fear of societal judgment. The chapter illustrates how Thompson transforms his personal experiences and observations into powerful literary devices to showcase the underlying tensions and frustrations within society.
4. A Schizophrenic Society: This chapter focuses on Thompson's portrayal of American society as fractured and deeply divided. It explores the betrayal of countercultural idealism and the emergence of violence as a pervasive element of the social fabric. The analysis explores the political aspects of violence, examining how Thompson utilizes his writing to criticize the hypocrisy and failures of political structures. This chapter concludes by highlighting the intense personal toll that such a disillusionment takes on Thompson.
Keywords
Hunter S. Thompson, Gonzo Journalism, American Dream, Counterculture, 1960s, Social Commentary, Violence, American Identity, Political Critique, Disillusionment, Symbolic Landscapes.
Frequently Asked Questions: A Comprehensive Language Preview
What is the main topic of this thesis?
This thesis examines Hunter S. Thompson's life and work within the context of the American Dream. It analyzes how Thompson's Gonzo journalism reflects and critiques the ideals and realities of American society, particularly during the turbulent 1960s and beyond.
What are the key themes explored in the thesis?
The key themes include the evolution and disillusionment of the American Dream; the role of counterculture in shaping Thompson's worldview and writing; the stylistic innovations and impact of Gonzo journalism; Thompson's complex relationship with violence, excess, and societal norms; and the exploration of American identity and its contradictions.
What is the structure of the thesis?
The thesis is structured into four chapters: An introduction setting the historical and literary context; a chapter exploring the core tenets of the American Dream and its complexities; a chapter analyzing the symbolic landscapes in Thompson's work as metaphors for societal decay and chaos; and a final chapter focusing on Thompson's portrayal of American society as fractured and violent, highlighting the betrayal of countercultural idealism.
What is Gonzo Journalism, and how is it relevant to this thesis?
Gonzo journalism is a style of journalism characterized by subjective, first-person accounts that blur the lines between reporter and participant. This thesis examines how Thompson's unique brand of Gonzo journalism is instrumental in conveying his critique of the American Dream and its inherent contradictions.
What is the significance of the 1960s counterculture in the thesis?
The 1960s counterculture is a crucial backdrop to the thesis, as it significantly influenced Thompson's development as a writer and shaped his critical perspective on American society and the American Dream. The thesis explores how this influence manifests in his writing and journalistic style.
How does the thesis analyze Hunter S. Thompson's relationship with violence?
The thesis explores Thompson's complex and often contradictory relationship with violence, examining how it appears in his writing, both as a reflection of societal realities and as a stylistic element in his Gonzo journalism. It considers the personal and societal consequences of this violence.
What are the main arguments or conclusions of the thesis?
The thesis argues that Thompson's Gonzo journalism offers a powerful and nuanced critique of the American Dream, revealing its inherent contradictions and disillusionments. It demonstrates how Thompson's unique style effectively captures the anxieties, violence, and hypocrisies of American society, particularly during the turbulent period of the 1960s and beyond.
What keywords best describe the thesis?
Keywords include: Hunter S. Thompson, Gonzo Journalism, American Dream, Counterculture, 1960s, Social Commentary, Violence, American Identity, Political Critique, Disillusionment, Symbolic Landscapes.
What does the thesis offer in terms of chapter summaries?
The thesis provides concise summaries for each chapter, outlining the main topics and arguments covered in each section. These summaries help the reader understand the overall flow and structure of the argument presented.
What is the overall purpose of this "Comprehensive Language Preview"?
This preview aims to provide a thorough overview of the thesis, including its objectives, key themes, chapter summaries, and keywords. It serves as a concise guide for readers seeking to understand the scope and content of the work before engaging with it fully.
- Citation du texte
- Sonja Maier (Auteur), 2010, The Death of A Dream - Hunter S. Thompson and the American Dream, Munich, GRIN Verlag, https://www.grin.com/document/150502
