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How does (if at all) the 'War on Terror' represent a different era from the 20th century's conventional wars?

Titre: How does (if at all) the 'War on Terror' represent a different era from the 20th century's conventional wars?

Essai , 2007 , 11 Pages , Note: Distinction

Autor:in: Sebastian Plappert (Auteur)

Politique - Région: Etats-Unis
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Résumé Extrait Résumé des informations

Despite the persistence of traditional threats, the current ‘War on Terror’ represents the current mode of conflict's transition into a new era of warfare. After shortly reviewing the traditionalist position, the paper will examine the characteristics of current warfare in the effort to combat terrorism. Thereby a closer look will be taken at the nature of potential enemies, their operational setting and the role of information and media, before drawing on the evaluation of modern warfare in an age of globalisation.

Extrait


Table of Contents

1. Old wine in new bottles

2. Great Powers remain

3. The new world order

4. New enemies

5. The global battlefield of the information age

6. The complexity of defining success

7. An unconventional future

Objectives and Topics

This essay explores whether the "War on Terror" signifies a departure from the conventional warfare models of the 20th century. By analyzing the changing nature of conflict, the rise of non-state actors, and the critical role of information and global media, it investigates how modern military engagements differ from traditional interstate wars.

  • The transition from conventional conflict to asymmetric warfare.
  • The role of non-state actors and dispersed networks.
  • The influence of globalization on strategic objectives.
  • The importance of information, media, and perception management.
  • The challenges in defining "victory" and success in modern conflicts.

Excerpt from the Book

The global battlefield of the information age

As mentioned above, “the arena of conflict is no longer defined by national borders […]; war, like trade, information and money, has been globalised” (Dupont 2003, p. 57). War in a globalised world differs from conventional war in its means, its objectives and in its strategies. “Unlike the image many have of war, this struggle [the ‘War on Terror’] cannot be won by military force alone, or even principally” (QDR 2006, p. 9). Given the intangible nature of today’s enemies, who are inseparably hidden in the civilian population, traditional intelligence does not provide the necessary information. Advanced intelligence technologies, spies and satellites, as effective as they are, are not able “to understand and influence foreign populations” (Packer 2006, § 48), they only show “what foreign governments believe is happening” (Kilcullen 2006, p. 40). However, in non-western societies, “influence is entirely personal; [furthermore, any …] relationships cultivated by one soldier, spy, or diplomat cannot easily be passed along to a successor” (Boot 2006, p. 3). Since relevant information no longer consists in the number of enemy tanks or the location of army divisions, it is not obtainable through public authorities any more (Barno 2006, p. 23). Instead, the main effort today has to focus on global police work, building local networks within the population and penetrating potential enemy circles on a long-term basis (Croke 2006, p. 5).

Summary of Chapters

Old wine in new bottles: This chapter reviews the traditionalist perspective that views war as an unchanging political instrument, arguing that terrorism is merely a minor tactical variation.

Great Powers remain: This section examines the argument that nation-states, rather than non-state actors, remain the primary power brokers and security threats in the international system.

The new world order: This chapter outlines why conventional 20th-century warfare is increasingly ineffective due to economic interdependence and the complexity of modern security environments.

New enemies: This part identifies how dispersed, non-state networks have replaced traditional state adversaries, complicating conventional military deterrence and targeting.

The global battlefield of the information age: This chapter discusses how the struggle has shifted from physical destruction to the battle of ideas and information, where media perception determines strategic success.

The complexity of defining success: This section highlights why traditional indicators of victory, such as territorial control, are no longer applicable to the unconventional "War on Terror."

An unconventional future: The conclusion synthesizes the findings, arguing that future conflicts will be characterized by irregular warfare, necessitating a shift away from traditional military-centric strategies.

Keywords

War on Terror, Conventional Warfare, Irregular Warfare, Asymmetric Conflict, Non-state Actors, Globalization, Information Age, Strategic Communication, Terrorism, Counterinsurgency, Geopolitics, National Security, Media Perception, Political Violence, Global Insurgency.

Frequently Asked Questions

What is the core focus of this work?

The paper evaluates whether the "War on Terror" represents a fundamentally new era of warfare compared to the conventional interstate conflicts of the 20th century.

What are the primary themes discussed?

Key themes include the shift toward asymmetric and irregular warfare, the role of globalization in modern conflicts, the rise of non-state actors, and the dominance of information over industrial military power.

What is the central research question?

The essay asks how, and if, the "War on Terror" represents a distinct departure from the characteristics and strategic paradigms of 20th-century conventional wars.

Which scientific approach is utilized?

The author employs a qualitative analysis of current strategic doctrine and contemporary security literature to evaluate the changing nature of modern conflict.

What topics are covered in the main body?

The main body addresses the traditionalist view of war, the persistence of great-power rivalries, the rise of non-state enemies, the role of media in shaping battlefield outcomes, and the difficulty of defining victory.

What keywords characterize the work?

Essential keywords include War on Terror, asymmetric conflict, globalization, non-state actors, irregular warfare, and strategic information.

How does the author define the role of media in modern warfare?

The author argues that media has become the primary instrument of combat, where the battle for perceptions and the "hearts and minds" of the population are more decisive than physical military victories.

Why is it difficult to define success in current conflicts?

Success is difficult to define because traditional metrics, such as territorial gain or destruction of military units, do not apply to networks that lack defined borders and do not seek to hold territory.

How do non-state actors differ from traditional state enemies?

Non-state actors are dispersed, lack a home country, do not respect traditional combat immunity, and are not easily deterred by conventional military force.

What is the author's final conclusion?

The author concludes that while the political nature of war remains constant, the conduct of conflict has fundamentally shifted toward an irregular paradigm, necessitating new strategies beyond traditional military power.

Fin de l'extrait de 11 pages  - haut de page

Résumé des informations

Titre
How does (if at all) the 'War on Terror' represent a different era from the 20th century's conventional wars?
Université
Macquarie University
Cours
IRPG 831 Politics, Law & Morality of International Political Violence
Note
Distinction
Auteur
Sebastian Plappert (Auteur)
Année de publication
2007
Pages
11
N° de catalogue
V153912
ISBN (ebook)
9783640663392
ISBN (Livre)
9783640663293
Langue
anglais
mots-clé
War 20th Century War on Terror New Wars Conventional Wars International Relations 21st Century
Sécurité des produits
GRIN Publishing GmbH
Citation du texte
Sebastian Plappert (Auteur), 2007, How does (if at all) the 'War on Terror' represent a different era from the 20th century's conventional wars? , Munich, GRIN Verlag, https://www.grin.com/document/153912
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