Extrait
Table of Contents
Abstract
Chapter 1: Introduction
Chapter 2: Methodology
2.1: Internet Ethnography
2.2: Reviewing the Literature
Chapter 3: The Idea of Authorship
3.1: John Locke andBeyond
3.2: Post-Enlightenment Ideas on Creativity
3.3: Community in the Authorship Process
3.4: Authorship in the Irish Tradition
3.5: Resistance to the ideas of Copyright
Chapter 4: Copyrighting Traditional Culture
4.1: Examples from Ethnomusicology
4.2: Commercial Considerations of Copyright
4.3: Copyright in Irish Culture
4.4: The Future of Copyright in Ireland
Chapter 5: Conclusion
5.1: Irish Music as an Oral Culture
5.2: "Authorship"in Oral Cultures
5.3: How To Recognise the Community
Bibliography
Print Sources
Online Sources
Personal Interviews
Related Websites
Appendix A: IntellectualPrivate Property
A.I: Definitions and Law
A.2: A Brief History of Copyright
A.3: Current Copyright Law
Appendix B: Analysis of Tune Evolution in Sweeney
- Citation du texte
- Breandán Ó Nualltáin (Auteur), 2008, Community Authorship, Munich, GRIN Verlag, https://www.grin.com/document/174145
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