Grin logo
en de es fr
Shop
GRIN Website
Publier des textes, profitez du service complet
Go to shop › Philologie Anglaise - Littérature

Display, Representation and Fashion in Jane Austen's Bath - Northanger Abbey, Persuasion and Emma

Titre: Display, Representation and Fashion in Jane Austen's Bath - Northanger Abbey, Persuasion and Emma

Exposé Écrit pour un Séminaire / Cours , 2003 , 19 Pages , Note: 2 (B)

Autor:in: Judith Huber (Auteur)

Philologie Anglaise - Littérature
Extrait & Résumé des informations   Lire l'ebook
Résumé Extrait Résumé des informations

The city of Bath has served as the scene of many 18 and 19 century novels, like

Daniel Defoe’s Moll Flanders, Tobias Smollet’s Roderick Random, Henry Fielding’s Tom Jones and, of course, Jane Austen’s Northanger Abbey; Persuasion and Emma. In Bath, one could find the quintessence of all the illusions, values and con- th flicts of the 18 century (Hill 1989: 2); its rules of etiquette fixed by Richard ‘Beau’ Nash influenced ‘the manners of the entire nation throughout the Georgian era’. An official Bath guide read that the city had ‘become one of the most agreeable as well as most polite places in the Kingdom’ (Watkins 1990: 178). But as the century wore on, the spa became less fashionable, the nobility became bored of it, and middle class people swamped the town. The three novels by Jane Austen mentioned above date from this time, when Bath’s heyday was over.

In my opinion, it is particularly interesting to take a look on the image of Bath as it is conveyed by these three novels, because of the different viewpoints of the characters: In Northanger Abbey, the city is described from a middle class perspective, in Persuasion from an upper class perspective, and in Emma, where none of the action actually takes place in Bath, we get an idea of what people in the country thought about the city of Bath; it is described from an extern point of view. This paper will examine the literary characterisation of the city as a place of amusement (balls, concerts, etc.), display and representation by looking at the characters’ attitudes towards Bath and the purpose of their stay there. The further aim is a cultural description of the city with regard to its fashionableness, based on the novels of Jane Austen.

Extrait


Inhaltsverzeichnis (Table of Contents)

  • A) Introduction
  • B) Display, Representation and Fashion in Jane Austen's Bath – “Northanger Ab- bey”, “Persuasion” and “Emma”
    • 1. The different characters' attitudes towards Bath
      • 1.1. Emma
      • 1.2. Persuasion
      • 1.3. Northanger Abbey
    • 2. Bath Shops in the Novels
    • 3. Bath as a marriage market
    • 4. A Jane Austen map of Bath - Fashionable Places
      • 4.1. Public Places
      • 4.2. Private Places
  • C) Conclusion
  • D) Literature
  • Appendix: Map of Bath

Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)

This paper examines the literary characterisation of Bath as a place of amusement, display and representation in three novels by Jane Austen: Northanger Abbey, Persuasion, and Emma. It analyses the characters' attitudes towards Bath and their reasons for visiting the city, focusing on how these attitudes reflect the changing social dynamics of the late 18th and early 19th centuries. The paper aims to provide a cultural description of Bath, examining its fashionableness and its role as a marriage market.

  • The changing image of Bath as a fashionable spa
  • The different characters' attitudes towards Bath
  • Bath as a place of display and representation
  • Bath as a marriage market
  • The relationship between fashion, class, and social mobility

Zusammenfassung der Kapitel (Chapter Summaries)

The introduction establishes Bath as a significant location in 18th and 19th century English literature, highlighting its significance as a fashionable spa and a microcosm of social values and conflicts. It also introduces the three Jane Austen novels that will be examined in the paper: Northanger Abbey, Persuasion, and Emma.

The first chapter focuses on the different characters' attitudes towards Bath. It analyzes the perspectives of Emma Woodhouse, who views Bath through the lens of Mrs. Elton's pretentiousness, and the characters in Persuasion, highlighting different perspectives on the city's social dynamics and the role of social climbing.

Schlüsselwörter (Keywords)

The main keywords and focus topics of the text are: Jane Austen, Bath, fashion, representation, display, social mobility, class, marriage market, 18th century England, 19th century England.

Fin de l'extrait de 19 pages  - haut de page

Résumé des informations

Titre
Display, Representation and Fashion in Jane Austen's Bath - Northanger Abbey, Persuasion and Emma
Université
University of Hamburg  (Institute for Anglistics/American Studies)
Cours
Proseminar "From Funny Fop to Dangerous Dandy - Fashion in 17th and 18th Century Literature"
Note
2 (B)
Auteur
Judith Huber (Auteur)
Année de publication
2003
Pages
19
N° de catalogue
V18402
ISBN (ebook)
9783638227612
Langue
anglais
mots-clé
Display Representation Fashion Jane Austen Bath Northanger Abbey Persuasion Emma Proseminar From Funny Dangerous Dandy Fashion Century Literature
Sécurité des produits
GRIN Publishing GmbH
Citation du texte
Judith Huber (Auteur), 2003, Display, Representation and Fashion in Jane Austen's Bath - Northanger Abbey, Persuasion and Emma, Munich, GRIN Verlag, https://www.grin.com/document/18402
Lire l'ebook
  • Si vous voyez ce message, l'image n'a pas pu être chargée et affichée.
  • https://cdn.openpublishing.com/images/brand/1/preview_popup_advertising.jpg
  • Si vous voyez ce message, l'image n'a pas pu être chargée et affichée.
  • Si vous voyez ce message, l'image n'a pas pu être chargée et affichée.
  • Si vous voyez ce message, l'image n'a pas pu être chargée et affichée.
  • Si vous voyez ce message, l'image n'a pas pu être chargée et affichée.
  • Si vous voyez ce message, l'image n'a pas pu être chargée et affichée.
  • Si vous voyez ce message, l'image n'a pas pu être chargée et affichée.
  • Si vous voyez ce message, l'image n'a pas pu être chargée et affichée.
Extrait de  19  pages
Grin logo
  • Grin.com
  • Page::Footer::PaymentAndShipping
  • Contact
  • Prot. des données
  • CGV
  • Imprint