The Experience of Music in "The Buddha of Suburbia"


Dossier / Travail de Séminaire, 2011

21 Pages, Note: 1,0


Extrait


Table of Contents

1 Introduction

2 The Semantics of Music

3 Pop Music and Hanif Kureishi

4 Cultures, Subcultures and Music

5 Charlie, Music and the Quest for Self-Fulfilment

6 Summary

7 Literature

Fin de l'extrait de 21 pages

Résumé des informations

Titre
The Experience of Music in "The Buddha of Suburbia"
Université
Martin Luther University
Note
1,0
Auteur
Année
2011
Pages
21
N° de catalogue
V184615
ISBN (ebook)
9783656094869
ISBN (Livre)
9783656094630
Taille d'un fichier
678 KB
Langue
anglais
Annotations
Issued in 1990 Hanif Kureishi´s novel The Buddha of Suburbia has become a world-acclaimed masterpiece ever since. The author masterfully depicts the multiple cultural facets the London of his childhood had to offer and creates a plot replete with stories of ethnicity, class and gender. However, one element seems to be of peculiar importance in its reoccurring implementation within the story – music. This paper is intended to examine the element of music and attempts to determine the role it plays within the world Kureishi illustrates.
Mots clés
experience, music, buddha, suburbia, Hanif Kureishi, Punk, London, 70s
Citation du texte
Toni Friedrich (Auteur), 2011, The Experience of Music in "The Buddha of Suburbia" , Munich, GRIN Verlag, https://www.grin.com/document/184615

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