Extrait
Table of Contents
1. Ernest Hemingway and the period of Modernism
2. The contemporary side of Hemingway’s writing
2.1 The Iceberg Theory
2.1 Connections to the works of Freud and Nietzsche
3. Despair and emptiness of modern life: Analysis and comparison of Ernest Hemingway’s “A Clean, Well-Lighted Place” and “The Killers”
3.1 The Fear of Nothingness: “A Clean, Well-Lighted Place”
3.2 Coping with Nada in “The Killers”
4. Old and Modern
5. Bibliography
“It was all a nothing and man was nothing too” - Ernest Hemingway’s Modernist Short Fiction and its bounds to Modern Philosophy
Fin de l'extrait de 13 pages
- Citation du texte
- Laura Kossack (Auteur), 2012, “It was all a nothing and man was nothing too”. Ernest Hemingway’s modernist short fiction and its bounds to modern philosophy, Munich, GRIN Verlag, https://www.grin.com/document/214752
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