Christopher Nolan’s film from 2000, "Memento," takes a critical look at the visually dominated world we live in and challenges traditional cinema by addressing the film’s artificiality and visuality. Memento draws attention to the sheer mass and variety of visual stimuli that surround us by playing with the use of camera, photographs, mirrors and other visual media. The focus on visuality illustrates our dependence on visual media in determining who we are, how we see the world and how we think.
Memento is centered on a protagonist – Leonard Shelby – who is especially reliant on the help of visual media but does not realize how much it influences his identity. Leonard is a former insurance claims investigator who suffers from anterograde amnesia, a condition that prevents him from turning short-term memories into long-term ones. Leonard’s amnesia is the result of a head injury he received while he was trying to rescue his wife from a murderer. Thus, Leonard lives in episodes that last about 15 minutes and after each such episode he forgets everything that happened before. Being deprived of the ability to remember anything that has happened since his wife’s murder, Leonard has to come up with his own strategies to deal with everyday life. In the course of the film, the audience learns that Leonard has developed a system of visual cues to replace his memory. He even goes further and declares that his method of remembering via photographs, mind maps, tattoos and notes, is more reliable than memory itself. Leonard calls his visual cues ‘facts’ and ignores the lack of context that comes along with a memory that consists only of separate Polaroid photos, ink on his skin and a few slips of paper.
Inhaltsverzeichnis (Table of Contents)
- Introduction
- The Superiority of Sight
- Playing with Visuality
- Polaroid Photos
- Tattoos
- Mirrors
- Memory and Identity
- Conclusion
Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)
This term paper analyzes how Christopher Nolan's film Memento utilizes visual cues to explore themes of memory, identity, and the unreliable nature of perception. It aims to examine how visual media influences our understanding of the world and ourselves, particularly through the lens of Leonard Shelby's struggle with anterograde amnesia.
- The dominance of visual media in shaping our understanding of reality
- The manipulation of visual information and its impact on identity
- The relationship between memory and identity, and how both can be manipulated through visual means
- The reliance on visual cues as a means of navigating the world and constructing a sense of self
- The implications of visual media's potential to create both clarity and confusion in our perception of the world
Zusammenfassung der Kapitel (Chapter Summaries)
The paper begins by introducing the central themes of the film Memento and examining the tension between memory and visual perception. The second chapter explores the dominance of sight over other senses, highlighting the advantages and limitations of visual information. The third chapter focuses on the specific visual cues that Leonard uses to navigate his life, including Polaroid photos, tattoos, and mirrors, demonstrating how these objects shape his identity and his perception of reality. Finally, the paper explores the complex relationship between memory and identity, arguing that both can be manipulated by visual means.
Schlüsselwörter (Keywords)
The main keywords and focus topics of this work include: visual media, memory, identity, anterograde amnesia, manipulation, perception, Christopher Nolan, Memento, Polaroid photos, tattoos, mirrors, visual cues, reliability.
- Quote paper
- Anett Koch (Author), 2013, Visuality and Identity in Christopher Nolan's "Memento", Munich, GRIN Verlag, https://www.grin.com/document/275234
