The aim of this essay is to compare and contrast Alfred Stieglitz’s engagement with modernism with that of the Ashcan artists. The first part concentrates on the personal background of the artists and introduces to their motivations and aims. The second part deals with the subjects of their works and the different technical approaches. The last part of the essay examines the differences between the two art forms, photography and painting.
Of course, the question arises whether or not such a comparison is reasonable: photography and painting are two entirely different art forms. The essay will face this basic difficulty and will conclude in an answer on it.
Inhaltsverzeichnis (Table of Contents)
- Alfred Stieglitz, the Ashcan artists and their engagement with modernism
- Introduction
- Historical background
- The Artists' background
- Subject and Technique
- Alfred Stieglitz
- The Ashcan Artists
- The comparison of the two art forms: photography and painting
Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)
This essay examines the ways in which both Alfred Stieglitz and the Ashcan artists engaged with modernism. It analyzes their motivations and aims, compares their subject matter and technical approaches, and explores the differences between photography and painting as artistic expressions.
- The impact of modernism on art in the early 20th century
- The role of New York City in shaping the artistic vision of Stieglitz and the Ashcan artists
- The development of realism in art and its connection to everyday life
- The differences in artistic expression between photography and painting
- The influence of technical innovations on artistic styles
Zusammenfassung der Kapitel (Chapter Summaries)
The essay begins by outlining the historical context of modernism, emphasizing the emergence of New York City as a cultural center. It then examines the individual backgrounds of both Alfred Stieglitz and the Ashcan artists, highlighting their experiences in New York and the impact of the city on their artistic development.
The next section explores the subject matter and technical approaches of Stieglitz and the Ashcan artists. Stieglitz's focus on capturing scenes and atmospheres in photographs, particularly through the use of a hand camera, is contrasted with the Ashcan artists' desire to portray everyday life in their paintings.
Finally, the essay delves into the differences between photography and painting as artistic expressions. It analyzes how Stieglitz sought to elevate photography as a legitimate art form, while the Ashcan artists developed their own distinctive painting technique. The essay concludes by considering the significance of the artists' engagement with modernism and its lasting impact on the art world.
Schlüsselwörter (Keywords)
This essay focuses on the engagement with modernism of Alfred Stieglitz and the Ashcan artists. It delves into key concepts like realism, urban life, photography, painting, and the influence of technical innovation on artistic expression. The essay also examines the differences between the two art forms, photography and painting, and the impact of New York City on the artistic development of both Stieglitz and the Ashcan artists.
- Citation du texte
- Sandra Kuberski (Auteur), 2011, Alfred Stieglitz, the Ashcan artists and their engagement with modernism, Munich, GRIN Verlag, https://www.grin.com/document/286011
