Agnès Desarthe, winner of the prestigious "prix du Livre Inter" and writer of adult and children’s fiction alike, examines a variety of themes in her works, including one of the most perennial in writing by women: motherhood.
Francesca Counihan discusses the fact that more and more French women authors have “come to prominence [including] more discreet presences such as Agnès Desarthe.” When her second novel Un secret sans importance was published in 1996, Desarthe was indeed “une quasi-inconnue” but with several more novels published in the intervening years, a good number of which were translated into English, Desarthe’s works were more frequently disseminated and discussed by the time her seventh novel, Mangez-moi, was published in 2006.
Inhaltsverzeichnis (Table of Contents)
- Good Mother, Bad Mother: The Depiction of Mother Figures in Agnès Desarthe's Un secret sans importance and Mangez-moi
- Introduction
- Sonia's Maternal Instincts in Un secret sans importance
- Myriam's Motherhood in Mangez-moi
- The Roles of Religion and Gender in Parenting
- Postpartum Depression in Mangez-moi
- Conclusion
Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)
This essay examines the portrayal of mothers in Agnès Desarthe's novels Un secret sans importance and Mangez-moi. It analyzes the differences and similarities between the two mothers, Sonia and Myriam, and explores the impact of their personal experiences, religious beliefs, and societal expectations on their roles as mothers.
- The complex and often contradictory nature of motherhood
- The influence of personal experience on mothering styles
- The role of religion and societal norms in shaping perceptions of good and bad mothers
- The challenges faced by mothers who experience postpartum depression
- The intersection of gender and motherhood in literary representations
Zusammenfassung der Kapitel (Chapter Summaries)
- Introduction: This section introduces the works of Agnès Desarthe and their focus on motherhood, highlighting the significance of Desarthe's inclusion of female characters who are mothers as subjects of their own narratives.
- Sonia's Maternal Instincts in Un secret sans importance: This section examines Sonia's character in Desarthe's first novel, focusing on her maternal instincts and her relationship with her children, particularly her experiences with illness and her spiritual beliefs.
- Myriam's Motherhood in Mangez-moi: This section analyzes Myriam's character in Desarthe's seventh novel, exploring her relationship with her son, Hugo, and her experience of motherhood in the context of the novel's carnivalesque elements.
- The Roles of Religion and Gender in Parenting: This section compares the influence of religion and gender roles on the parenting styles of both Sonia and Myriam, exploring the contrasting approaches of their husbands, Dan and Rainer, and highlighting the impact of societal expectations on their experiences of motherhood.
- Postpartum Depression in Mangez-moi: This section examines the possibility of Myriam experiencing postpartum depression, exploring the evidence in the text and the social stigma surrounding mothers who experience this mental health challenge.
Schlüsselwörter (Keywords)
Key concepts explored in this essay include motherhood, female subjectivity, religion, gender, societal norms, postpartum depression, literary representation, French women writers, and the works of Agnès Desarthe.
- Citation du texte
- Laura Smith (Auteur), 2015, Good Mother, Bad Mother. The Depiction of Mother Figures in Agnès Desarthe’s "Un secret sans importance and Mangez-moi", Munich, GRIN Verlag, https://www.grin.com/document/301483
