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Khadi: From Livery of Freedom to Livery of Fashion

Titre: Khadi: From Livery of Freedom to Livery of Fashion

Travail d'étude , 2015 , 13 Pages

Autor:in: Sneha Meghe (Auteur)

Design (Industrie, Graphique, Mode)
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A bonfire of English apparel and imported clothes on the porch of Anand Bhawan-Piles of richly coloured satins, silks, chiffons, hand-tailored Savile Row suits and starched shirts. She witnessed as the ‘Fire put forth its first flickering tongue of flame’ and knew deep within she also had to give up the French Frock she spurned and a doll, who she thought of as her own flesh and blood and not merely an imported object. Indira was torn between the love for her doll and the duty towards her nation (Frank, 2002).

Finally, her sense of duty won over her love for the doll and one day she set light to it on the roof of Anand Bhawan. As a child the incident had such strong an impact on Indira Gandhi that it formed the first and most vivid memory of her life. The lavish and magnificent Nehru home- Anand Bhawan was transformed overnight from crystal chandelier, Spode china, sterling silver, Venetian glass, expensive carpets, Carriages, Arabian Horses to Khadi clad family members (Frank, 2002).

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Table of Contents

1. The birth of Khadi

2. Pre-Khadi India (Solutions of dressing during the British Raj)

3. Gandhi and Khadi

4. Vow of Khadi- Fabric of Princes and Paupers

5. Khadi- a symbol of luxury and haute couture

Research Objectives and Key Themes

This document explores the historical, socio-political, and economic evolution of Khadi in India, tracing its journey from a symbol of resistance against British colonial rule to its contemporary status as a high-end fashion statement. The central inquiry focuses on how a simple, hand-spun fabric functioned as a medium for communicating identity, political defiance, and national unity throughout the Indian Independence Movement, and how it eventually transitioned into a luxury commodity within the modern fashion industry.

  • The role of cloth as a semiotic tool for political and social communication.
  • The impact of British colonialism on Indian sartorial choices and national identity.
  • Mohandas K. Gandhi’s strategic use of Khadi to promote Swadeshi and self-rule.
  • The socio-economic significance of the Charkha and Khadi in rural self-sufficiency.
  • The transformation of Khadi from a symbol of mass-market struggle to an elite-market fashion product.

Excerpt from the Book

Vow of Khadi- Fabric of Princes and Paupers

The spinning wheel (Charkha) became a national symbol and was incorporated into the Indian National Flag (The Tricolour) which was adopted in its present form on the 22 July 1947, twenty four days before India’s independence from the British on 15 August 1947 (Trivedi, 2007). To date the official flag specification requires that the flag be made only by Khadi. All of Gandhi’s threads of thoughts and beliefs were woven into a single piece of fabric- Khadi (Trivedi, 2007). The Khadi campaign stimulated the production and use of hand-spun, hand-woven indigenous cloth which helped in the revival of the Indian textile industry (Bhatt, 2002). This in turn provided employment to the masses, promoted self-sufficiency of Indian villages, united people of all religions and casts throughout India and freed India from the British colonial rule through non-violent means bringing back a sense of national unity. Khadi not only became the cause of a peaceful freedom struggle but also the basis of a new craft-based economic structure of Independent India; Thus proving Gandhi’s notion that ‘in Khadi lay the foundation of free India’ (Taylor, 1996).

The different styles Khadi came to be worn by various Indian nationals can subtly express the social, religious and political differences in Indian society. At the same time it acted as a pictorial symbol of an independent and united India, visually uniting the masses (rural poor) with Indian politicians and wealthy peasants (Taylor, 1996). The pictures below trace the transformation from an Englishman to a Khadi adorned congressman of popular Indian elite, Motilal Nehru grandfather of Indira Gandhi who was considered almost a parody of English gentleman. He was often accused by the Indian press of ‘being a foreigner’ and public knew him as an extravagant man of European fashion (Taylor, 1996).

Summary of Chapters

The birth of Khadi: This chapter details the early history of the Indian Independence Movement and how the boycott of foreign cloth and the adoption of hand-spun fabric became a catalyst for political change.

Pre-Khadi India (Solutions of dressing during the British Raj): This section examines the conflict of identity faced by the Indian elite, who navigated between preserving their traditional culture and adopting European fashion to gain social acceptance under British colonial rule.

Gandhi and Khadi: This chapter highlights how Mahatma Gandhi leveraged the semiotic power of clothing, specifically through his transition from European suits to simple loincloths, to communicate his message of Swaraj to the masses.

Vow of Khadi- Fabric of Princes and Paupers: This section discusses the elevation of Khadi to a national symbol, its inclusion in the Indian flag, and how it served as a tool for economic nationalism and social unity.

Khadi- a symbol of luxury and haute couture: This chapter analyzes the modern resurgence of Khadi as a high-end fashion fabric, adopted by contemporary international and Indian designers for the global market.

Keywords

Khadi, Indian Independence, Swadeshi, Mahatma Gandhi, British Raj, Semiotics, Hand-spun, Nationalism, Indian Fashion, Sabyasachi Mukherjee, Swaraj, Cultural Identity, Textile Industry, Colonialism, Haute Couture.

Frequently Asked Questions

What is the core focus of this work?

The work explores the historical transformation of Khadi from a symbol of India's freedom struggle to a modern luxury fashion textile.

What are the central themes discussed?

The central themes include political communication through dress, the socio-economic impact of the Swadeshi movement, and the evolution of identity politics in colonial and post-colonial India.

What is the primary goal of this research?

The primary goal is to document how clothing served as a medium for resistance and identity, and how it continues to influence modern fashion narratives in India.

What research methodology is employed?

The study utilizes a historical and socio-semiotic analysis, drawing upon literature and documentation regarding Indian clothing habits and nationalist movements.

What does the main body of the text cover?

The main body covers the transition from pre-colonial clothing customs to the adoption of European styles, the influence of Gandhi on clothing as a political statement, and the current commercialization of Khadi.

Which keywords best characterize this research?

Key terms include Khadi, Swadeshi, Nationalism, Identity, Semiotics, and Indian Fashion.

How did Gandhi use clothing to influence the Independence Movement?

Gandhi used the act of spinning and the wearing of simple hand-spun cloth to foster self-reliance (Swadeshi) and to visually align himself with the impoverished masses, turning his attire into a powerful symbol of political protest.

Why was Khadi initially perceived as a threat to elite women?

Khadi was initially seen as a threat to aesthetic standards and, because plain white fabric was associated with widowhood in some Indian traditions, it presented challenges for women wishing to maintain a sense of style and respectability.

How has the role of Khadi changed in the fashion industry today?

Khadi has shifted from being a "poor man's fabric" meant for mass-market revolution to a "class market" luxury product utilized by world-renowned designers to create modern, ethnic-chic apparel.

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Résumé des informations

Titre
Khadi: From Livery of Freedom to Livery of Fashion
Cours
Clothes and Human Experience
Auteur
Sneha Meghe (Auteur)
Année de publication
2015
Pages
13
N° de catalogue
V307587
ISBN (ebook)
9783668075320
ISBN (Livre)
9783668075337
Langue
anglais
mots-clé
Fashion History Design Fashion History Textile Khadi Textile Sience Hand woven Apparels Textile design Haute couture Luxury Fashion trends
Sécurité des produits
GRIN Publishing GmbH
Citation du texte
Sneha Meghe (Auteur), 2015, Khadi: From Livery of Freedom to Livery of Fashion, Munich, GRIN Verlag, https://www.grin.com/document/307587
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