Verbatim Theatre is a relatively modern style of theatre, where performances are based on real events and the personal experiences of real people The emerging style is “one of the most incisive forms of political theatre” and “has arisen as the medium chosen to depict major societal issues” (Cantrell, 2012). The performance "Scattered Lives" was written and directed by Sally McKenzie and was first performed by La Boite Theatre on 30th April 2001, Brisbane with Pip Boyce and Sandro Colarelli as the female and male roles respectively. The highly emotive and politically provocative performance was rightfully nominated for a prestigious AWGIE writing award in 2002, due to its significance in sharing the lives of refugees. The performance impressively manipulated the conventions of Verbatim Theatre and the elements of drama to masterfully facilitate dramatic action and communicate meaning to audiences. Through the exploitation of episodic structure, shared story and tension, "Scattered Lives" has effectively conveyed the personal experiences of Australian refugees through the production of an informative and empowering performance.
Table of Contents
1. Compliance of Scattered Lives with Verbatim Theatre Style
Objectives and Themes
The primary objective of this paper is to analyze how the theatrical performance Scattered Lives effectively utilizes the conventions of Verbatim Theatre to communicate the experiences of Australian refugees. The research focuses on identifying specific dramaturgical strategies used to inform, engage, and empower the audience.
- Application of episodic structure in conveying complex narratives.
- Employment of shared story to create emotional resonance and relatability.
- Utilization of dramatic tension to facilitate meaningful action.
- The role of performance as a medium for socio-political advocacy.
Excerpt from the Book
Compliance of Scattered Lives with Verbatim Theatre Style
Verbatim Theatre is a relatively modern style of theatre, where performances are based on real events and the personal experiences of real people (Eckersley, 2015). The emerging style is “one of the most incisive forms of political theatre” and “has arisen as the medium chosen to depict major societal issues” (Cantrell, 2012). The performance Scattered Lives was written and directed by Sally McKenzie and was first performed by La Boite Theatre on 30th April 2001, Brisbane with Pip Boyce and Sandro Colarelli as the female and male roles respectively (McKenzie, 2000). The highly emotive and politically provocative performance was rightfully nominated for a prestigious AWGIE writing award in 2002, due to its significance in sharing the lives of refugees (Writer Performer, 2016).
The performance impressively manipulated the conventions of Verbatim Theatre and the elements of drama to masterfully facilitate dramatic action and communicate meaning to audiences. Through the exploitation of episodic structure, shared story and tension, Scattered Lives has effectively conveyed the personal experiences of Australian refugees through the production of an informative and empowering performance.
Summary of Chapters
1. Compliance of Scattered Lives with Verbatim Theatre Style: This chapter provides an introduction to the performance, its historical context, and the fundamental theatrical conventions applied by the director to represent the refugee experience.
Keywords
Verbatim Theatre, Scattered Lives, Sally McKenzie, Refugees, Episodic Structure, Shared Story, Dramatic Tension, Political Theatre, Performance Analysis, Australian Theatre, Social Issues, Dramatic Action, Human Rights.
Frequently Asked Questions
What is the fundamental subject of this paper?
The paper evaluates the extent to which the performance Scattered Lives adheres to and successfully employs the conventions of Verbatim Theatre.
What are the core thematic fields covered?
The core themes include the representation of refugee experiences, the use of documentary theatre techniques, and the socio-political impact of performance arts.
What is the primary research goal?
The goal is to demonstrate how specific techniques like episodic structure and shared stories are used to inform audiences and evoke emotional responses regarding the plight of refugees.
Which scientific or analytical method is applied?
The work employs a qualitative performance analysis, examining specific scenes within Scattered Lives to illustrate how dramatic elements and theatrical conventions are utilized.
What topics are discussed in the main body of the work?
The main body focuses on the implementation of episodic structure, the strategy of "shared story" in scenes such as "Speak Australian!" and "Afghanistan and the Taliban," and the creation of dramatic tension.
Which keywords characterize the study?
The study is characterized by terms such as Verbatim Theatre, refugee narratives, dramatic tension, episodic structure, and political theatre.
How does the performance use the "shared story" convention?
It uses shared stories to link multiple individual refugee experiences, allowing a small cast to portray a holistic and interconnected narrative of struggle and survival.
What significance does the "episodic structure" have in this performance?
The episodic structure allows for the juxtaposition of different cultural experiences and locations, which helps maintain cohesion while informing the audience about a wide range of refugee challenges.
- Citation du texte
- Kassidy-Rose McMahon (Auteur), 2016, Compliance of "Scattered Lives" with Verbatim Theatre Style, Munich, GRIN Verlag, https://www.grin.com/document/344394
