Authenticity in Folk Music

Critical Discussion of Commercial Intentions within Folk Music and the ‘True’ Folk Ethos


Ensayo, 2016

8 Páginas, Calificación: First class honors


Resumen o Introducción

What is it in particular that created the impression that folk music is so much more authentic than pop music?

In the end, the all-embracing question must be the one of authenticity in music, a very complex issue in rock and pop music. To understand the reaction of the audience the day Bob Dylan went electric, it is crucial to examine the roots of folk music, to comprehend its relationship with social change during the 60’s and to point out where the glorified importance of ‘being authentic’ in folk music came from. Having collected such information, it shall be possible to have a balanced view on the statement in the headline.

Folk music, in a very historical sense, is ‘music, usually of simple character and anonymous authorship, handed down among the common people by oral tradition’. Examples of ‘true’ folk songs would be sea shanties or camp-meeting songs. These roots in traditional storytelling are of big importance, because, for unlike pop music, folk for the young adults in the 1950s-60s was held up as ‘the authentic voice of the people’ (Barker & Taylor, 2007).

Detalles

Título
Authenticity in Folk Music
Subtítulo
Critical Discussion of Commercial Intentions within Folk Music and the ‘True’ Folk Ethos
Universidad
Trinity College Dublin  (Department of Music)
Curso
Rock & Pop Music History
Calificación
First class honors
Autor
Año
2016
Páginas
8
No. de catálogo
V345470
ISBN (Ebook)
9783668353107
ISBN (Libro)
9783668353114
Tamaño de fichero
748 KB
Idioma
Inglés
Palabras clave
Folk, Music, Authenticity, Bob Dylan, John Hurt, music business, folk ethos
Citar trabajo
Engin Devekiran (Autor), 2016, Authenticity in Folk Music, Múnich, GRIN Verlag, https://www.grin.com/document/345470

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