The principle objective of this essay will be to explore and explicate the relationship between art and death within two films by Alfred Hitchcock: Rope (1948) and Vertigo (1958). Discussing Hitchcock’s filmography in ‘Saying it With Pictures’, Erik S. Lunde and Douglas A. Noverr credit the influence of art to be of paramount importance to the director’s visual form, remarking that ‘a great interest in the fine arts strengthened the cinematic vision displayed in countless brilliantly conceived photographic images in his films’ (Loukides and Fuller 1993, p.97). Both critics trace an admiration for the classical arts to have flourished in the director’s youth as he immersed himself in painting classes during his time at the University of London (Ibid).
Later in life, art would assume a strong place within both Hitchcock’s personal and professional personas; within his private sphere Hitchcock accumulated interest in original works of art, collecting pieces by artists such as Paul Klee, Auguste Rodin and Salvador Dali. Professionally, a fascination with the visual arts would infiltrate his body of work, with portraits, paintings and sculptures featuring predominantly within the majority of his films. [...]
As part of centenary celebrations of the filmmaker’s work, a unique visual exhibition was unveiled to commemorate the intimate relationship between art and Hitchcock films. Opening in 2000, an exhibition titled ‘Hitchcock and Art: Fatal Coincidences’ opened in the Montreal Museum of Fine Arts. Captioned as a ‘celebration of Hitchcock’s personal creative expression’ (Moral 2002, p.171), ‘Fatal Coincidences’ was designed by Guy Cogeval and Dominique Paini to feature over two hundred artworks spanning across the previous two centuries, depicting familiar scenes of art echoed within Hitchcock’s own body of work. Whilst the exhibition has excelled in establishing the painterly parallels present between the real world of art and the surreal world of Hitchcock, the ambition of this work will be to open up discussion of Hitchcock’s artistic influences further. It proposes that art serves not merely as a background prop which accompanies the favoured theme of death quintessential to Hitchcockian narrative, but rather that art becomes embalmed with macabre properties which subconsciously enrich the audience’s perception of the director’s intentions. [...]
Inhaltsverzeichnis (Table of Contents)
- Introduction
- Chapter 1: Tying up loose ends in Hitchcock's Rope
- The aesthetic value of murder
- The symbolic language of art
- The impact of the visual arts
- Chapter 2: Vertigo and its relationship with art and death
- A lyrical commentary on the relation between love and death
- A visual exploration of deathly undercurrents
Zielsetzung und Themenschwerpunkte (Objectives and Key Themes)
The essay aims to examine the relationship between art and death in two Alfred Hitchcock films: Rope (1948) and Vertigo (1958). It explores how art serves not just as a backdrop, but also as a means of enriching the audience's understanding of Hitchcock's themes and intentions.
- The aesthetic value of murder in film
- The symbolic language of art in Hitchcock's films
- The relationship between art and death in Hitchcock's visual style
- The influence of art on the director's cinematic vision
- The interplay between art and the themes of life and death
Zusammenfassung der Kapitel (Chapter Summaries)
Chapter 1: Tying up loose ends in Hitchcock's Rope
This chapter explores the aesthetic value of murder as presented in Hitchcock's Rope. It delves into the murder itself as an artistic experiment, analyzing the symbolic language of art within the film, particularly the visual arts that contribute to the themes of life and death. The chapter examines the impact of visual arts, specifically paintings, on the viewers' perception of the film's themes.
Chapter 2: Vertigo and its relationship with art and death
Focusing on Vertigo, this chapter explores the complex relationship between love and death, and how art plays a significant role in conveying these themes. It examines the film's visual elements, drawing on the work of Brigitte Peucker, who highlights the "masked preoccupations" with sculpture and painting that reinforce the film's deathly undercurrents.
Schlüsselwörter (Keywords)
The key themes and concepts explored in this essay include the visual arts, death, murder, aesthetics, symbolism, Hitchcockian themes, cinematic vision, and the relationship between love and death.
- Citation du texte
- English Literature and History Lindsey McIntosh (Auteur), 2014, "Fatal Coincidences". An exploration of the relationship between art and death in Alfred Hitchcock’s "Rope" (1948) and "Vertigo" (1958), Munich, GRIN Verlag, https://www.grin.com/document/358722
