Leseprobe
Inhaltsverzeichnis
1. Introduction
2. The symbolism of monstrous women
2.1. The role of women in patriarchal society
2.2. The function of monstrosity in popular culture
2.3. Monstrous women
3. The depiction of women and love in Cradle of Filth’s Nymphetamine Fix
3.1. Close reading and interpretation of the lyrics
3.2. Gender roles
3.3. Analysis of sonic aspects in conjunction with the music video
3.3.1. The meaning potential of the sound and visual symbols
3.3.2. The structure of the video as a mode of dissociation from the lyric persona
4. The depiction of women and love in Cradle of Filth’s Gabrielle
4. 1. Close reading and interpretation of the lyrics
4.2. Gender reading
4.3. Analysis and interpretation of sonic aspects
5. Analysis of the album cover of Darkly, Darkly, Venus Aversa
5.1. Intermedial references to Lilith
5.2. Analysis of the album cover
6. Conclusion
7. Annex
7.1. Nymphetamine Fix Lyrics
7.2. Gabrielle Lyrics
7.3. Record Sleeve of Darkly, Darkly, Venus Aversa
8. Bibliography
- Arbeit zitieren
- Anna Jenatschke (Autor:in), 2016, The Depiction of Women as Monsters and Love as a Dependency in Cradle of Filth's works, München, GRIN Verlag, https://www.grin.com/document/380622
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