The Depiction of Women as Monsters and Love as a Dependency in Cradle of Filth's works


Trabajo, 2016

30 Páginas, Calificación: 1,3


Extracto


Inhaltsverzeichnis

1. Introduction

2. The symbolism of monstrous women
2.1. The role of women in patriarchal society
2.2. The function of monstrosity in popular culture
2.3. Monstrous women

3. The depiction of women and love in Cradle of Filth’s Nymphetamine Fix
3.1. Close reading and interpretation of the lyrics
3.2. Gender roles
3.3. Analysis of sonic aspects in conjunction with the music video
3.3.1. The meaning potential of the sound and visual symbols
3.3.2. The structure of the video as a mode of dissociation from the lyric persona

4. The depiction of women and love in Cradle of Filth’s Gabrielle
4. 1. Close reading and interpretation of the lyrics
4.2. Gender reading
4.3. Analysis and interpretation of sonic aspects

5. Analysis of the album cover of Darkly, Darkly, Venus Aversa
5.1. Intermedial references to Lilith
5.2. Analysis of the album cover

6. Conclusion

7. Annex
7.1. Nymphetamine Fix Lyrics
7.2. Gabrielle Lyrics
7.3. Record Sleeve of Darkly, Darkly, Venus Aversa

8. Bibliography

Final del extracto de 30 páginas

Detalles

Título
The Depiction of Women as Monsters and Love as a Dependency in Cradle of Filth's works
Universidad
Friedrich-Alexander University Erlangen-Nuremberg  (Institut für Anglistik und Amerikanistik)
Curso
Hauptseminar British Heavy Metal: Performance and Theatricality
Calificación
1,3
Autor
Año
2016
Páginas
30
No. de catálogo
V380622
ISBN (Ebook)
9783668573253
ISBN (Libro)
9783668573260
Tamaño de fichero
759 KB
Idioma
Alemán
Palabras clave
gender studies, monstrous women, depiction of women, heavy metal, song lyric analysis, popular culture, Cradle of Filth, close reading, gender roles
Citar trabajo
Anna Jenatschke (Autor), 2016, The Depiction of Women as Monsters and Love as a Dependency in Cradle of Filth's works, Múnich, GRIN Verlag, https://www.grin.com/document/380622

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