Extrait
Table of Contents
1. Introduction
2. The Theory of Intertextuality
2.1 History and Development
2.2 Definition and Terminology
3. Ulrich Broich's and Manfred Pfister's Application of Intertextuality
3.1 Manfred Pfister's Qualitative Criteria
3.2 Ulrich Broich's Quantitative Criteria
4. Julian Barnes's Intertextuality in Flaubert's Parrot
5. Intertextuality between Flaubert's Parrot and Flaubert's written remains
5.1 Flaubert's Parrot as Historiographic Metabiography, Biographical Metafiction, or Fictional Metabiography?
5.2 Flaubert's Parrot as Fictional Metabiography
5.3 Intertextuality in terms of Fictional Metabiography
6. Intertextuality towards Flaubert's works
6.1 Intertextuality between Flaubert's Parrot and Madame Bovary
6.2 References in the Text
6.2.1 Emma Bovary's Eyes
6.2.2 Geoffrey Braithwaite's Search for Ellen
6.2.3 Geoffrey Braithwaite's Escape from Loneliness
6.2.4 Geoffrey Braithwaite's Identification with Charles Bovary
6.2.5 Dissatisfying Ending
7. Conclusion
8. Bibliography
8.1 Primary Literature
8.2 Secondary Literature
8.3 Online Resources
- Citation du texte
- Lisa Hyna (Auteur), 2013, The Intertextuality between Julian Barnes's "Flaubert's Parrot" and Gustave Flaubert's Works and Written Remains, Munich, GRIN Verlag, https://www.grin.com/document/444237
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