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Intermediality and Multimodality in John Barth´s "Autobiography: A Self-Recorded Fiction" (1968)


Essai, 2018

6 Pages, Note: Pass with distinction


Résumé ou Introduction

This essay analyses John Barth´s short story "AUTOBIOGRAPHY: A Self-Recorded Fiction”, which was published inf the short story collection ´Lost in the Funhouse´ in 1968. The story is examined from the perspective of an intermediality / multimodality scholar. Among other things, the essay discusses the employment of several media / modes within the story and reveals limits inherent to the theories of intermediality and multimodality, pointing to the concept of heteromediality as a possible alternative.

Résumé des informations

Titre
Intermediality and Multimodality in John Barth´s "Autobiography: A Self-Recorded Fiction" (1968)
Université
Uppsala University  (English Department)
Cours
MA Hauptseminar: Recent Developments in Literary Studies
Note
Pass with distinction
Auteur
Année
2018
Pages
6
N° de catalogue
V451167
ISBN (ebook)
9783668847026
ISBN (Livre)
9783668847033
Langue
anglais
Mots clés
Intermediality, Multimodality, John Barth, Medium, Mode, Lost in the Funhouse, Heteromediality, Orality in writing, Orality, Visuality
Citation du texte
B.A. Silvia Schilling (Auteur), 2018, Intermediality and Multimodality in John Barth´s "Autobiography: A Self-Recorded Fiction" (1968), Munich, GRIN Verlag, https://www.grin.com/document/451167

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Titre: Intermediality and Multimodality in John Barth´s "Autobiography: A Self-Recorded Fiction" (1968)


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